Tate Papers no.34 2021–22

This issue includes two thematic groupings of articles: one that traces under-recognised histories of the São Paulo Biennial during Brazil’s military regime (1964–85), and another that reflects on politically and socially engaged art making, participatory practice and knowledge co-creation in programmes carried out at Tate Exchange. Accompanying these is a technical examination of Edward Burne-Jones’s altarpiece for St Paul’s Church, Brighton, revealing the influence on the artist of medieval and Renaissance sources.