Tate Papers no.25 Spring 2016

This issue explores the theme of collaboration, focusing on examples of artistic projects that draw attention to the political implications of ‘working together’, and the way in which collaborations are often mediated by technology, communication channels and group dynamics. Other papers in this issue include a reinterpretation of an enigmatic painting by J.M.W. Turner, an account of Barbara Hepworth’s 1968 Tate retrospective, and a report on the educational value of Tate’s exhibitions.