Tate Papers ISSN 1753-9854

Tate Papers no.19 Spring 2013

This issue explores the political and ethical questions posed by the photographs of August Sander (1876–1964). Other topics include the landscape of the Anglo-Mysore Wars, Edward Burra's bohemianism, the work of Akram Zaatari, learning and institutional critique, and Tate's Digital Strategy.

In this Issue

Face-Off in Weimar Culture: The Physiognomic Paradigm, Competing Portrait Anthologies, and August Sander’s Face of Our Time

Wolfgang Brückle

August Sander’s Portraits of Persecuted Jews

Rose-Carol Washton Long

August Sander and the Artists: Locating the Subjects of New Objectivity

Dorothy C. Rowe

Face to Face? An Ethical Encounter with Germany’s Dark Strangers in August Sander’s People of the Twentieth Century

Katherine Tubb

August Sander’s Der Bauer and the Pervasiveness of the Peasant Tradition

Christian Weikop

Who Will Sing the Song? Learning Beyond Institutional Critique

Anna Cutler

Memory and the Aesthetics of Military Experience: Viewing the Landscape of the Anglo-Mysore Wars

Rosie Dias

The Libidinal Archive: A Conversation with Akram Zaatari

Chad Elias

‘New Ways of Modern Bohemia’: Edward Burra in London, Paris, Marseilles and Harlem: Rothenstein Lecture

Andrew Stephenson

Tate Digital Strategy 2013–15: Digital as a Dimension of Everything

John Stack