Joseph Mallord William Turner The River Thames with Isleworth Ferry 1805
Joseph Mallord William Turner,
The River Thames with Isleworth Ferry
1805
Joseph Mallord William Turner 1775–1851
The River Thames with Isleworth Ferry 1805
D05949
Turner Bequest XCV 45
Turner Bequest XCV 45
Pencil and watercolour on white wove paper, 260 x 370 mm
Stamped in black ‘XCV 45’ bottom right
Stamped in black ‘XCV 45’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1869
First Loan Collection, various venues, 1869–1931 (151).
1922
Original Drawings in Watercolour, Etc., by J.M.W. Turner, R.A., T. Girtin and E. Dayes. Lent by the Trustees of the National Gallery, Laing Art Gallery and Museum, Newcastle, 1922 (34), as ‘The Thames’.
1959
Display of Watercolours from the Turner Bequest, Tate Gallery, London, June/July 1959–January 1965 (no number).
1970
Turner: Watercolours Lent by the British Museum, Musée Provisoire d’Art Moderne, Brussels, November 1970–January 1971 (5).
1972
J.M.W. Turner: Gemälde, Aquarelle, Gemäldegalerie Neuer Meister, Dresden, Nationalgalerie Staatliche Museen, Preussischer Kulturbesitz, Berlin, 1972 (45).
1973
Turner {1775 / 1851}: desenhos, aguarelas e óleos / Drawings, Watercolours and Oil Paintings, Fundação Calouste Gulbenkian, Lisbon, June–July 1973 (11).
1980
Turner 1775–1851: Drawings and Watercolours of British River Scenes from the British Museum, Bankside Gallery, London, November–December 1980 (31).
1982
Turner in the Open Air. Pastoral Landscapes from the Turner Bequest, Tate Gallery, London, 1982 (no number).
1983
J.M.W. Turner: Dibujos y acuarelas del Museo Britanico, Museo del Prado, Madrid, 1983 (16).
1994
Watercolours from the Turner Bequest, Tate Gallery, London, 1994–5 (no number).
1998
J.M.W. Turner: “That Greatest of Landscape Painters”: Watercolours from London Museums, Philbrook Museum of Art, Tulsa, February–April 1998 (9).
2007
Hockney on Turner Watercolours, Tate Britain, London, June 2007–February 2008 (no number).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.247, XCV 45, ‘Scene on the Thames, with Windsor Castle on right in distance’.
1970
Luke Herrmann, Turner: Watercolours Lent by the British Museum, exhibition catalogue, Musée Provisoire d’Art Moderne, Brussels 1970, pp.6, 35 reproduced.
1972
Werner Haftmann, Andrew Wilton, Henning Bock and others, J.M.W. Turner: Gemälde, Aquarelle, exhibition catalogue, Gemäldegalerie Neuer Meister, Dresden 1972, p.36 reproduced.
1973
Norman Reid, Andrew Wilton and Luke Herrmann, Turner {1775 / 1851}: desenhos, aguarelas e óleos / Drawings, Watercolours and Oil Paintings, exhibition catalogue, Fundação Calouste Gulbenkian, Lisbon 1973, p.26.
1980
Michael Spender and Malcolm Fry, Turner at the Bankside Gallery: Catalogue of an Exhibition of Drawings & Water-colours of British River Scenes from the British Museum, exhibition catalogue, Bankside Gallery, London 1980, pp.70, 71 reproduced in colour.
1983
Lindsay Stainton, J.M.W. Turner: Dibujos y acuarelas del Museo Britanico, exhibition catalogue, Museo del Prado, Madrid 1983.
1991
Ian Warrell, ‘R.N. Wornum and the First Three Loan Collections: A History of the Early Display of the Turner Bequest Outside London’, Turner Studies, vol.11, no.1, Summer 1991, p.42.
1993
David Hill, Turner on the Thames: River Journeys in the Year 1805, New Haven and London 1993, pp.47 reproduced in colour pl.53, 48, 170, as ‘Thames near Isleworth’.
1998
Richard P. Townsend, Andrew Wilton, David Blayney Brown and others, J.M.W. Turner: “That Greatest of Landscape Painters”: Watercolors from London Museums, exhibition catalogue, Philbrook Museum of Art, Tulsa 1998, pp.24, 62 reproduced (detail) in colour, 90, 91 reproduced in colour.
2001
David Hill, ‘Thames Sketches, 1805’, in Evelyn Joll, Martin Butlin and Luke Herrmann eds., The Oxford Companion to J.M.W. Turner, Oxford 2001, p.334.
This is a right-hand page from the sketchbook, and a similar view to Tate DO5916; Turner Bequest XCV 12 from the same source. Both are of the Thames near Isleworth ferry and Windsor Castle cannot appear in the right distance in this view, as Finberg supposed. The brick wall in the right foreground appears to be the same as in the view of Turner’s Sion (or Syon) Ferry House also from the sketchbook (D05952; Turner Bequest XCV 48); it must be the retaining wall at the mouth of The Duke of Northumberland’s River whose water had been diverted into Syon Park. The elegant curving tree shown near it in D05916 and D05952 is either omitted or just out of sight, however.
Hill notes that here the tide is lower than in D05916, and that as the shadows (cast very strongly by three figures at the river’s edge) indicate the sun low in the sky to the east, it was taken in the morning. The weather seems to threaten a shower. Compare also the watercolour of a similar view, with rainbow, in the contemporary Hesperides (1) sketchbook (Tate D05837; Turner Bequest XCIII 40a). In each of these views the foreground is occupied by barges and ferries.
Verso:
Blank.
David Blayney Brown
February 2009
How to cite
David Blayney Brown, ‘The River Thames with Isleworth Ferry 1805 by Joseph Mallord William Turner’, catalogue entry, February 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www