Joseph Mallord William Turner Sketches of Shipping with Harbour Beyond ?Calais; Fisherwomen Looking for Bait ?on Calais Sands 1824
Joseph Mallord William Turner 1775–1851
Folio 234 Verso:
Sketches of Shipping with Harbour Beyond ?Calais; Fisherwomen Looking for Bait ?on Calais Sands 1824
D19997
Turner Bequest CCXVI 227 a
Turner Bequest CCXVI 227 a
Pencil on white wove paper, 78 x 118 mm
Watermark ‘[smith &] allnut | [18]22’
Inscribed in pencil by Turner ‘Sand’ top left towards centre, ‘White’ | ‘Fisher women digging for [?Crabs]’ top centre towards right
Watermark ‘[smith &] allnut | [18]22’
Inscribed in pencil by Turner ‘Sand’ top left towards centre, ‘White’ | ‘Fisher women digging for [?Crabs]’ top centre towards right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.678, as ‘Sketches of shipping, buildings, and group of figures, – “Fisherwomen Looking for Bait”’.
1972
Kenneth Clark, Michael Kitson, John Gage and others, La Peinture romantique anglaise et les Préraphaélites, exhibition catalogue, Petit Palais, Paris 1972, p.185 no. 264 [cited incorrectly as ‘CCXV’].
1974
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, p.141 no.508.
1975
Luke Herrmann, Turner: Paintings, Watercolours, Prints & Drawings, London 1975, no.110.
1984
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, p.141 no.231.
1989
Ann Chumbley and Ian Warrell, Turner and the Human Figure: Studies of Contemporary Life, exhibition catalogue, Tate Gallery, London 1989, p.43 no.36.
1991
Cecilia Powell, Turner’s Rivers of Europe: The Rhine, Meuse and Mosel, exhibition catalogue, Tate Gallery, London 1991, p.39 note 6 [p.60].
1999
Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, p.32 note 100 [p.254].
At the uppermost register is a view of fishing boats sailing off the coast with a harbour beyond. The profile of the distant harbour resembles Calais, with the lighthouse (the Tour de Guet) and tower of the Hotel de Ville at centre. Turner has inscribed ‘sand’ on a spit close to the fishing vessels.
With the sketchbook orientated to landscape, Turner records what appears to be some fishing or harbour machinery and a separate jotting of a group of ‘fisherwomen digging for [bait or crabs]’. The women most probably search for crustacea such as sand crabs traditionally used to bait fish. Turner scholars Evelyn Joll and Martin Butlin write that the fisherwomen in this diminutive sketch are similar to those depicted in the oil painting Calais Sands, Low Water, Poissards Collecting Bait, exhibited at the Royal Academy in 1830.1 See also Tate D24880; Turner Bequest CCLX 44: a watercolour and gouache drawings of ‘fishers getting bait’.
Alice Rylance-Watson
June 2014
How to cite
Alice Rylance-Watson, ‘Sketches of Shipping with Harbour Beyond ?Calais; Fisherwomen Looking for Bait ?on Calais Sands 1824 by Joseph Mallord William Turner’, catalogue entry, June 2014, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, April 2015, https://www