Joseph Mallord William Turner Sion Ferry House, Isleworth: Sunset 1805
Joseph Mallord William Turner,
Sion Ferry House, Isleworth: Sunset
1805
Joseph Mallord William Turner 1775–1851
Sion Ferry House, Isleworth: Sunset 1805
D05952
Turner Bequest XCV 48
Turner Bequest XCV 48
Pencil and watercolour with scratching out on white wove paper, 260 x 369 mm
Stamped in black ‘XCV 48’ bottom right
Stamped in black ‘XCV 48’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1904
Exhibited Drawings, National Gallery, London, various dates to 1904 (810).
1934
Display of Watercolours from the Turner Bequest, Tate Gallery, London, March 1934–May 1937 (frame 1:18).
1979
Turner and the Country House View Tradition: Watercolours and Sketches from the Turner Bequest Loaned by the British Museum, Tate Gallery, London, January–June 1979 (no number).
1980
Turner 1775–1851: Drawings and Watercolours of British River Scenes from the British Museum, Bankside Gallery, London, 1980 (34).
1990
Painting and Poetry: Turner’s ‘Verse Book’ and his Work of 1804–1812, Tate Gallery, London, June–September 1990 (18).
1997
Joseph Mallord William Turner, Bank Austria Kunstforum, Vienna, March–June 1997 (31).
1997
J.M.W. Turner 1775–1851: A Tate Gallery Collection Exhibition, Yokohama Museum of Art, June–August 1997, Fukuoka Art Museum, September–October 1997, Nagoya City Art Museum, October–December 1997 (25).
2005
Turner’s Picture of Britain,Tate Britain, London, June 2005–April 2006 (no number).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.247, XCV 48, as ‘House on bank of Thames; Sunset’.
1974
Gerald Wilkinson, The Sketches of Turner, R.A. 1802–20: Genius of the Romantic, London 1974, pp.79, 80 reproduced in colour (right detail).
1977
Gerald Wilkinson, Turner Sketches 1789–1827, London 1977, p.111 reproduced (‘detail’).
1980
Michael Spender and Malcolm Fry, Turner at the Bankside Gallery: Catalogue of an Exhibition of Drawings & Water-colours of British River Scenes from the British Museum, exhibition catalogue, Bankside Gallery, London 1980, pp.76, 77 reproduced.
1987
Andrew Wilton, Turner in his Time, London 1987, p.55 reproduced in colour.
1990
Andrew Wilton and Rosalind Mallord Turner, Painting and Poetry: Turner’s ‘Verse Book’ and his Work of 1804–1812, exhibition catalogue, Tate Gallery, London 1990, pp.43 reproduced in colour, 121 reproduced.
1993
David Hill, Turner on the Thames: River Journeys in the Year 1805, New Haven and London 1993, pp.48, 51 reproduced in colour pl.54, 52, 170, as ‘Syon Ferry House’.
1997
David Blayney Brown in David Blayney Brown, Klaus Albrecht Schröder, Evelyn Benesch and others, Joseph Mallord William Turner, exhibition catalogue, Bank Austria Kunstforum, Vienna 1997, pp.168, 169 reproduced in colour.
1997
David Blayney Brown, in David B[layney] Brown, Yasuhide Shimbata and Hideko Numata, J.M.W. Turner 1775–1851: A Tate Gallery Collection Exhibition, exhibition catalogue, Yokohama Museum of Art 1997, pp.34, 73 reproduced in colour.
2001
David Hill, ‘Thames Sketches, 1805’, in Evelyn Joll, Martin Butlin and Luke Herrmann eds., The Oxford Companion to J.M.W. Turner, Oxford 2001, p.334.
This is a right-hand page from the sketchbook. With its surrounding garden wall and Gothic summer-house, the identification of this house as Turner’s own Sion (or Syon) Ferry House seems certain and is confirmed by contemporary topography.1 The view, looking west, shows a two-storey double-fronted house near the mouth of The Duke of Northumberland’s River with its own retaining wall. The river was now silted up, its water diverted for fountains in Syon Park. The wall on the far left must belong to the churchyard of All Saints’, Isleworth. This is an evening view, as if recording Turner’s return home at the end of the day, perhaps from a trip on the river. Hill notes its ‘intimate and personal’ feeling. A figure on the ferry causeway gestures a greeting and smoke from the chimney, blowing in a fresh breeze, suggests preparations for Turner’s supper. Turner used the summer-house as an impromptu studio and a probable upstream view, from it with the same prominent tree seen from the other side, and including the ferry, was also made in this sketchbook (Tate D05916; Turner Bequest XCV 12).
Turner’s fingerprint is visible in the paint in the wall left of centre.
Verso:
Blank.
David Blayney Brown
February 2009
How to cite
David Blayney Brown, ‘Sion Ferry House, Isleworth: Sunset 1805 by Joseph Mallord William Turner’, catalogue entry, February 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www