Joseph Mallord William Turner Powis Castle c.1834
Joseph Mallord William Turner 1775–1851
Powis Castle c.1834
D25181
Turner Bequest CCLXIII 59
Turner Bequest CCLXIII 59
Watercolour on white wove paper, 350 x 510 mm
Watermark ‘Ruse and Turners | 1828’
Inscribed in red ink ‘59’ bottom right
Stamped in black ‘CCLXIII – 59’ bottom right
Watermark ‘Ruse and Turners | 1828’
Inscribed in red ink ‘59’ bottom right
Stamped in black ‘CCLXIII – 59’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1937
Four Screens, British Museum, London, February 1937–February 1938 (no catalogue but frame number 4, as ‘Landscape with tree on the right’).
1959
[Display of watercolours from the Turner Bequest], Tate Gallery, London, June/July 1959–January 1965 (no catalogue, as ‘Landscape and Mountains’).
1975
Turner in the British Museum: Drawings and Watercolours, Department of Prints and Drawings, British Museum, London, May 1975–February 1976 (94, reproduced, as ‘Landscape with a pink mountain’, ?c.1825).
1997
Turner’s Watercolour Explorations 1810–1842, Tate Gallery, London, February–June 1997, Southampton City Art Gallery, June–September 1997 (20, reproduced in colour, as ‘Compositional, Colour and Underpainting Study for Powis Castle, Montgomery’, c.1834).
2009
Colour and Line: Turner’s Experiments [fourth hang], Tate Britain, London, December 2009–January 2013–April 2013 (no catalogue).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.818, CCLXIII 59, as Landscape, with mountain in mid-distance. c.1820–30.
1828
Martin Butlin, Turner Watercolours, revised ed., London 1975, p.48, as ‘Italian Landscape with a Mountain in the Middle Distance’, c.1828–9, pl.14 (colour).
1975
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, p.66 no.94, reproduced, as ‘Landscape with a pink mountain’. ?c.1825.
1997
Eric Shanes, Turner’s Watercolour Explorations 1810–1842, exhibition catalogue, Tate Gallery, London 1997, pp.21, 46, 95, 104 (p.46 no.20, reproduced in colour, as ‘Compositional, Colour and Underpainting Study for Powis Castle, Montgomery’. c.1834, p.95 Appendix I under ‘England and Wales Series’, as ‘Study for Powis Castle, Montgomery’. c.1834, p.104 Appendix II, as ‘Study: Powis Castle, Montgomery’).
Eric Shanes has identified this colour study as relating to the watercolour Powis Castle, Montgomery of about 1834 (Manchester Art Gallery),1 engraved in 1836 for the Picturesque Views in England and Wales (Tate impressions: T05098, T06116).2 The castle, situated on a ridge near Welshpool, is seen from the south in two 1798 drawings in the Hereford Court sketchbook (Tate D01315, D01316; Turner Bequest XXXVIII 61, 62), the first of which shows in detail the terraced gardens south-east of the castle, indicated summarily in the present work by four parallel horizontal strokes across the distant mound on the left.3
The lack of differentiation between the castle and its setting led earlier commentators to speculate that the feature was a mountain, perhaps in Italy (which Turner first visited in 1819), given the brilliant, clear light and the sense of a classical composition with the ‘mountain’ balanced by the dark trees on the right in the manner of Claude Lorrain (1604/5–1682), whom Turner so admired and so often emulated.4
See also the introductions to the present subsection of identified subjects and the overall England and Wales ‘colour beginnings’ grouping to which this work has been assigned.
Verso:
Blank (on display and not examined).
Blank (on display and not examined).
Matthew Imms
March 2013
How to cite
Matthew Imms, ‘Powis Castle c.1834 by Joseph Mallord William Turner’, catalogue entry, March 2013, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2013, https://www