Audio
Showing 81–100 of 1,592 items
Penelope Curtis talking about meaning in Hepworth's work
Can you make something meaningful without a message? Curator Penelope Curtis
Chris Stephens talking about Hepworth and landscape
How important was St Ives to Hepworth's work? Curator Chris Stephens
Penelope Curtis talking about Hepworth's carving methods
Why did Hepworth carve her own work? Curator Penelope Curtis
Barbara Hepworth talking about living with a sculpture
What's it like to live with a sculpture? Barbara Hepworth
Curator Lauren Barnes Hepworth abstraction
How can abstraction relate to the world around us? Curator Lauren Barnes
Why was American Surfaces groundbreaking? Curator Sarah Allen
Why was this work groundbreaking? Curator Sarah Allen
Who are Shunk-Kender? Curator Sarah Allen
Who are Shunk-Kender? Curator Sarah Allen
Interview with James Rosenquist by Rachel Barker and Tom Learner, 4 February 2006
Interview with James Rosenquist by Rachel Barker and Tom Learner, 4 February 2006
Barkley L. Hendricks interviewed by Anna Arabindan-Kesson, 25 August 2016
Barkley L. Hendricks interviewed by Anna Arabindan-Kesson, 25 August 2016
Linder discusses her process
Linder discusses her process
What do Birdhead consider 'art'?
What do Birdhead consider 'art'?
Birdhead discuss their work
Birdhead discuss their work
Carrie Mae Weems From Here I Saw
Carrie Mae Weems discusses 'From Here I Saw What Happened and I cried'. Credit Khan Academy.
Mark Leckey on making Dream English Kid
Mark Leckey on making Dream English Kid
Mark Leckey on Dream English Kid
Mark Leckey describing his film as 'anxious'
Lubaina Himid on her work Carrot Piece
Lubaina Himid on her work Carrot Piece
Tehching Hsieh explains making One Year Performance 1980-1981
Tehching Hsieh explains making One Year Performance 1980-1981
Chris Ofili explains the inspiration for No Woman No Cry
Chris Ofili explains the inspiration for No Woman No Cry
Janet Cardiff on developing Forty Part Motet
Janet Cardiff on developing Forty Part Motet
Sheila Hicks on her work
Sheila Hicks on her work. Courtesy Cristobal Zanartu