Joseph Mallord William Turner The Duomo, Milan, from the West 1829
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Joseph Mallord William Turner,
The Duomo, Milan, from the West
1829
Folio 12 Recto:
The Duomo, Milan, from the West 1829
D21686
Turner Bequest CCXXXV 12
Turner Bequest CCXXXV 12
Pencil on cream wove paper, 90 x 144 mm
Inscribed in red ink ‘12’ top right, ascending vertically
Stamped in black ink ‘CCXXXV – 12’ top right, ascending vertically
Inscribed in red ink ‘12’ top right, ascending vertically
Stamped in black ink ‘CCXXXV – 12’ top right, ascending vertically
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.721, CCXXXV 12, as ‘The Duomo, Milan’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, p.343 note 180.
Turner noted inside the front cover of this sketchbook (D41050) that he arrived in Milan at noon on a Wednesday (14 January), complaining of ‘Snow all the way’. This is one of ten works in this sketchbook depicting the city’s celebrated Duomo, formally known as the Basilica cattedrale metropolitana di Santa Maria Nascente. See under folio 10 verso (D21683) for further commentary and a list of relevant views from this sketchbook and Turner’s earlier visit to the city in 1819.
Turner’s vantage point for this study was from the Piazza del Duomo, looking eastwards towards the cathedral’s ornate marble-clad façade. Today, the late nineteenth-century Galleria Vittorio Emanuele II shopping arcades stand in place of the arcaded building to the left. With typical economy, Turner detailed the Gothic tracery, pinnacles and other architectural features on the left side of the cathedral, leaving the right side comparatively blank to indicate symmetrical features. For a more architecturally precise rendering of this subject, executed during Turner’s first Italian tour in 1819, see Matthew Imms’s entry for the Milan to Venice sketchbook in the present catalogue (Tate D14328; Turner Bequest CLXXV 2).
Hannah Kaspar
November 2024
How to cite
Hannah Kaspar, ‘The Duomo, Milan, from the West 1829’, catalogue entry, November 2024, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, February 2025, https://www