Joseph Mallord William Turner Villefranche-sur-Mer from the North 1828
Image 1 of 2
Joseph Mallord William Turner,
Villefranche-sur-Mer from the North
1828
Folio 12 Recto:
Villefranche-sur-Mer from the North 1828
D21155
Turner Bequest CCXXXI 12
Turner Bequest CCXXXI 12
Pencil on white wove paper, 113 x 174 mm
Inscribed in red ink ‘12’ bottom left, descending vertically
Stamped in black ‘CCXXXI 12’ bottom left, descending vertically
Inscribed in red ink ‘12’ bottom left, descending vertically
Stamped in black ‘CCXXXI 12’ bottom left, descending vertically
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.708, CCXXXI 12, as ‘Do.’ (i.e. ditto: ‘Town on coast’).
1981
Maurice Guillaud, Nicholas Alfrey, Andrew Wilton and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, p.286, fig.544, as ‘Town on coast’.
This page contains five distinct sketches. The main prospect, with the page turned horizontally, depicts a view of Villefranche-sur-Mer, a harbour town on the south coast of France between Nice and Monaco.1 The geographer and Turner researcher Roland Courtot has identified the viewpoint as the road to Ventimiglia leading north out of the town, looking south across the bay with the Darse (Old Harbour) and the Citadelle St-Elme near the shoreline to the left.2 Near the centre of the page are the arches of the Rue Obscure, a medieval passageway under the harbour front. At the centre of the composition is the Baroque church of Saint-Michel. Visible in the background is the fort of Mont Alban, situated at the summit of the hill.
Parallel with the bottom (outer) edge, with the page inverted relative to its foliation, are three thumbnail studies of views within Villefranche-sur-Mer, including from top to bottom: the arches of the Rue Obscure; one of the town’s narrow streets; and a distant view from the north of the bay including the church.3 Finally, on the far right, is a rough variant study of the main view, executed with the sketchbook turned vertically, and inverted relative to its foliation.
For further sketches of Villefranche-sur-Mer see folios 10 verso–11 verso and 12 verso–14 verso (D21152–D21154, D21156–D21160).
Nicola Moorby
March 2017
Revised by Hannah Kaspar
November 2024
See Roland Courtot, ‘Les Carnets de William Turner: Recherches d’identification et de localisation des dessins’, unpublished research notes, Université de Provence à Aix, April 2008, p.3, as ‘Villefranche-sur-mer’ (shared with former Tate cataloguer Nicola Moorby in email correspondence at that date).
How to cite
Nicola Moorby, ‘Villefranche-sur-Mer from the North 1828’, catalogue entry, March 2017, revised by Hannah Kaspar, November 2024, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, February 2025, https://www