Joseph Mallord William Turner The Old Town of Nice, from the Right Bank of the River Paillon 1828
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Joseph Mallord William Turner,
The Old Town of Nice, from the Right Bank of the River Paillon
1828
Folio 8 Recto:
The Old Town of Nice, from the Right Bank of the River Paillon 1828
D21147
Turner Bequest CCXXXI 8
Turner Bequest CCXXXI 8
Pencil on white wove paper, 113 x 174 mm
Inscribed in pencil by Turner ‘[?white]’ top centre, with lines to buildings
Inscribed in red ink ‘8’ bottom left, descending vertically
Stamped in black ‘CCXXXI 8’ bottom left, descending vertically
Inscribed in pencil by Turner ‘[?white]’ top centre, with lines to buildings
Inscribed in red ink ‘8’ bottom left, descending vertically
Stamped in black ‘CCXXXI 8’ bottom left, descending vertically
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.708, CCCXXXI 8, as ‘Bridge, with buildings beyond.’.
1981
Maurice Guillaud, Nicholas Alfrey, Andrew Wilton and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, p.284, fig.529 (detail), p.285, fig.538, as ‘Nice, le Paillon’.
This sketch, with the page turned horizontally, depicts the old town of Nice seen from the right bank of the River Paillon.1 Visible in the centre is the Pont Vieux (Old Bridge), with the tower of Convent of Saint-François rising behind it, while to the right is the church of Saint Martin and Saint Augustine. The Paillon was culverted at the end of the nineteenth century and can no longer be seen flowing through Nice, although similar prospects to the one drawn here can be found within archival images, and the former river course is echoed by the shape of the present-day Promenade de Paillon.2
In the foreground to the left, Turner has included a figurative detail, described by Maurice Guillaud as a man ‘overwhelmed by the heat’ with a handkerchief on his head ‘held by a string to protect himself from the sun’.3
Further sketches of Nice from a distance can be seen on folios 6 verso–7 verso (D21144–D21146), the verso of this leaf and folios 9 recto and verso (D21148–D21150). For a similar but more detailed prospect of Nice and the Pont Vieux from Turner’s 1838 tour of France and Italy, see the Coast of Genoa sketchbook (Tate D21280; Turner Bequest CCXXXII 5a).
Nicola Moorby
March 2017
Revised by Hannah Kaspar
November 2024
See Guillaud, Alfrey, Wilton and others 1981, p.285; see also Roland Courtot, ‘Les Carnets de William Turner: Recherches d’identification et de localisation des dessins’, unpublished research notes, Université de Provence à Aix, April 2008, p.3, as ‘Nice’ (shared with former Tate cataloguer Nicola Moorby in email correspondence at that date).
See for example a watercolour by Clément Roassal, c.1832, accessed March 2017, http://vudubalcon.blogspot.co.uk/2013/11/le-paillon-au-fil-du-temps.html .
How to cite
Nicola Moorby, ‘The Old Town of Nice, from the Right Bank of the River Paillon 1828’, catalogue entry, March 2017, revised by Hannah Kaspar, November 2024, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, February 2025, https://www