Joseph Mallord William Turner Inscription by Turner: Travel Notes; an Architectural Detail 1816
Joseph Mallord William Turner 1775–1851
Folio 1 Recto:
Inscription by Turner: Travel Notes; an Architectural Detail 1816
D11042
Turner Bequest CXLV 1
Turner Bequest CXLV 1
Pencil on white wove paper, 154 x 96 mm
Inscribed by Turner in pencil with four lines beginning ‘Robert Thompson’ towards top (see main catalogue entry)
Inscribed by later hands in ink and pencil at top (see main catalogue entry)
Inscribed in pencil ‘CXLV’ top right
Stamped in black with Turner Bequest number ‘CXLV 1’ bottom right
Inscribed in pencil by A.J. Finberg ‘(Either 1814 or 1825) | AJF’ towards bottom right
Inscribed by Turner in pencil with four lines beginning ‘Robert Thompson’ towards top (see main catalogue entry)
Inscribed by later hands in ink and pencil at top (see main catalogue entry)
Inscribed in pencil ‘CXLV’ top right
Stamped in black with Turner Bequest number ‘CXLV 1’ bottom right
Inscribed in pencil by A.J. Finberg ‘(Either 1814 or 1825) | AJF’ towards bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.415, CXLV 1, as ‘A slight sketch (? subject) and the following note: – “Robert Thompson Carlilly. Sunday July 24 (or 29) at ½ past eight in the morning – was from home, no fire, or either Hay or Corn in the house for Horse.”‘.
1980
David Hill, Stanley Warburton, Mary Tussey and others, Turner in Yorkshire, exhibition catalogue, York City Art Gallery 1980, p.74.
1982
Stanley Warburton, Turner and Dr. Whitaker, exhibition catalogue, Towneley Hall Art Gallery & Museums, Burnley 1982, p.40.
1984
David Hill, In Turner’s Footsteps: Through the Hills and Dales of Northern England, London 1984, pp.30, 39, 127.
At the top of the page is a slight sketch of an architectural detail. This is hard to make out, but shows a gate pier made of large ashlar blocks, with a small scroll volute to the right. The elements resemble those of the gate piers of the West Gates at Farnley Hall, the subject of a sketch in the Farnley sketchbook (Tate D12019–D12020; Turner Bequest CLIII 14a–15), and related watercolour of the West Lodges Farnley Hall (private collection).1
The inscription reads:
Robert Thompson Carlilly [or ?Caslilly] Sunday July 24 | at ½ pas [sic] Eight in the morning was from | home, no fire, or either Hay or Corn in | the House for Horse’
There is a distinct note of complaint in Turner’s memorandum, and perhaps he had been sent on something of a wasted journey. The note, however, does present something of a conundrum in that the reading of ‘Carlilly’ as Carlisle, is uncertain, as is the reading of the date. If July 24 is correct then there are questions as to the date of the incident in the context of the rest of the book, since 24 July was a Sunday in 1814, but not again until 1825 (hence Finberg’s MS note on the page).2 21 July was a Sunday in 1816 and that would fit better with the date of the tour, but on that date Turner was based at Browsholme Hall with the Parker family and his friends the Fawkeses (see the sketchbook’s Introduction).
At the top right is the usual endorsement by the Executors of the Turner Bequest, Henry Scott Trimmer, John Prescott Knight and Sir Charles Lock Eastlake, in ink ‘No 275 | 157 leaves with | pencil sketches | H.S Trimmer’ and at the top left in pencil ‘JPK’ and ‘C.L.E.’
David Hill
April 2009
How to cite
David Hill, ‘Inscription by Turner: Travel Notes; an Architectural Detail 1816 by Joseph Mallord William Turner’, catalogue entry, April 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, March 2023, https://www