Joseph Mallord William Turner Folkestone from the Sea c.1822-4
Joseph Mallord William Turner 1775–1851
Folkestone from the Sea c.1822–4
D25480
Turner Bequest CCLXIII 357
Turner Bequest CCLXIII 357
Pencil and watercolour on white wove paper, 465 x 658 mm
Watermark ‘J Whatman | Turkey Mills | 1822’
Blind-stamped with Turner Bequest monogram below left of centre
Stamped in black ‘CCLXIII – 357’ bottom right
Watermark ‘J Whatman | Turkey Mills | 1822’
Blind-stamped with Turner Bequest monogram below left of centre
Stamped in black ‘CCLXIII – 357’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1934
[‘Four Screens’], British Museum, London, July 1934–July 1935 (no catalogue but frame no.11, as ‘Smugglers off Folkestone’).
1936
[Display of Watercolours], National Gallery, London, November 1936–September 1939 (no catalogue but frame no.21, as ‘Smugglers off Folkestone’).
1975
Turner in the British Museum: Drawings and Watercolours, Department of Prints and Drawings, British Museum, London, May 1975–February 1976 (81, as ‘Smugglers off Folkestone’, c.1822, reproduced).
2001
Turner and Kent, Royal Museum & Art Gallery, Canterbury, September/October–November 2001 (not in catalogue).
2005
Turner: The Sea, Clore Gallery, Tate Britain, London, March–October 2005, Tate Liverpool, November 2005–May 2006 (no catalogue, as ‘Folkestone from the Sea; Preparatory Study’).
2008
¿¿¿¿¿¿ [Turner] (1775–1851), Pushkin Museum of Art, Moscow, November 2008–February 2009 (48, as ‘Folkestone from the Sea; Preparatory Study’, c.1823, reproduced in colour).
2009
Turner from the Tate Collection, National Art Museum of China, Beijing, April–July 2009 (48, as ‘Folkestone from the Sea: Preparatory Study’, c.1823, reproduced in colour).
References
1820
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.842, CCLXIII 357, as ‘Smugglers, off Folkestone’, c.1820–30.
1822
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, p.60 no.81, as ‘Smugglers off Folkestone’, c.1822, reproduced.
1822
Al Weil, ‘Reproducing the Full Beauty of a Turner Watercolour’, Turner Society News, no.10, July 1978, pp.4–5, reproduced p.5 in facsimile form, captioned in error as ‘“Folkestone from the Sea”, c.1822, 19 x 27 [inches] T.Beq. CCVII-Y’.
1979
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.358 under no.512.
1981
Eric Shanes, Turner’s Rivers, Harbours and Coasts, London 1981, p.33 under no.66.
1990
Eric Shanes, Turner’s England 1810–38, London 1990, p.121 under no.95.
1991
Ian Warrell, Turner: The Fourth Decade: Watercolours 1820–1830, exhibition catalogue, Tate Gallery, London 1991, p.30 under no.9.
1997
Eric Shanes, Turner’s Watercolour Explorations 1810–1842, exhibition catalogue, Tate Gallery, London 1997, pp.28, 99 Appendix I ‘Marine Views Series’.
2000
Eric Shanes, Evelyn Joll, Ian Warrell et al., Turner: The Great Watercolours, exhibition catalogue, Royal Academy of Arts, London 2000, p.155 under no.58.
1823
Anna Poznanskaya, Ian Warrell, Mathew Imms and others, ¿¿¿¿¿¿ [Turner], exhibition catalogue, Pushkin Museum of Art, Moscow 2008, p.97 no.48, as ‘Folkestone from the Sea; Preparatory Study’, c.1823, reproduced in colour.
1823
Fan Di’an, Ian Warrell, Matthew Imms and others, Turner from the Tate Collection, exhibition catalogue, National Art Museum of China, Beijing 2009, p.88 no.48, as ‘Folkestone from the Sea: Preparatory Study’, c.1823, reproduced in colour.
This is a much less developed variant of the elaborately worked but slightly unfinished watercolour of about 1823–4, Folkestone from the Sea (Tate D18158; Turner Bequest CCVIII Y),1 which depicts a smuggling subject associated with the Marine Views print project (see the Introduction to this section), as described in its catalogue entry. In the present version there is more emphasis on the dramatic gesture of one of the boat’s crew,2 pointing out the approach of a Coastal Blockade sailing vessel, indicated against the cliffs to the right by slight outlines of pale ochre colour.
Verso:
Blank; laid down on sheet of white wove paper, stamped in black with Turner Bequest monogram below ‘CCLXIII – 357’ below left of centre.
Matthew Imms
July 2016
How to cite
Matthew Imms, ‘Folkestone from the Sea c.1822–4 by Joseph Mallord William Turner’, catalogue entry, July 2016, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, February 2017, https://www