Joseph Mallord William Turner Gosport and Portsmouth from the Sea ?1824
Joseph Mallord William Turner 1775–1851
Folio 6 Verso:
Gosport and Portsmouth from the Sea ?1824
D17924
Turner Bequest CCVI 6a
Turner Bequest CCVI 6a
Pencil on white wove paper, 100 x 160 mm
Watermark ‘1821’
Watermark ‘1821’
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.624, CCVI 6a, as ‘Off Portsmouth. Note resemblance of foreground sloop to that in Sheerness water colour (380, N.G.), engraved in “Ports of England.”’.
1964
Kenneth Clark, Elizabeth Davidson and John Gage, Ruskin and his Circle, exhibition catalogue, Arts Council Gallery, London 1964, p.32 under no.109.
1981
Eric Shanes, Turner’s Rivers, Harbours and Coasts, London 1981, p.153.
This view, continuing a little way across folio 7 recto opposite (D17925), is to the north from Spithead, out at sea, with the blockhouse at Gosport towards the left, the entrance to Portsmouth Harbour and Portsmouth to the right, with what is probably the clock tower of the Vulcan Block and the tower at Baltic Wharf; the Square Tower semaphore station and Portsmouth Cathedral are on the other page. Compare the view on folio 5 verso (D17922).
This is one of a continuous series of views around Portsmouth between folios 1 recto and 20 recto (D17913–D17951); many appear to have been made from a boat; for the overall sequence and details of the most prominent buildings and defences, see the Introduction. This page has been linked1 to the watercolours Portsmouth of about 1824 (Lady Lever Art Galley, Port Sunlight),2 engraved in 1825 for Picturesque Views on the Southern Coast of England (Tate impressions: T04419, T05302–T05304, T05994), and Portsmouth of about 1824–5 (Tate D18152; Turner Bequest CCVIII S),3 engraved in 1828 for The Ports of England, and reissued in 1856 in The Harbours of England (Tate impressions: T04833, T04834). The overall view can be compared with both designs, although the Portsmouth buildings are shown in different juxtapositions.
Finberg compared the sailing boat on the left to one in the watercolour Ports of England design Sheerness (Tate D18153; Turner Bequest CCVIII T);4 they are similar, and there may be a connection given that the Portsmouth and Sheerness subjects were contemporary, although it cannot be proven absolutely.
Matthew Imms
December 2014
How to cite
Matthew Imms, ‘Gosport and Portsmouth from the Sea ?1824 by Joseph Mallord William Turner’, catalogue entry, December 2014, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, April 2015, https://www