Joseph Mallord William Turner Schaffhausen; the Rhinefall and Laufen Castle from the River Bank 1802
Joseph Mallord William Turner 1775–1851
Schaffhausen; the Rhinefall and Laufen Castle from the River Bank 1802
D04879
Turner Bequest LXXIX E
Turner Bequest LXXIX E
Pencil and white gouache on white laid paper prepared with a grey wash, 559 x 722 mm
Stamped in black ‘LXXIX E’ bottom right
Stamped in black ‘LXXIX E’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1908
National Gallery, London, 1908 (as ‘Schaffhausen from below the Falls’).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.210, LXXIX E, as ‘Schaffhausen, from below the Falls’.
1910
Charles Lewis Hind, Turner’s Golden Visions, London and Edinburgh 1910 and 1925, p.266.
1976
John Russell and Andrew Wilton, Turner in Switzerland, Zurich 1976, p.137.
1979
Andrew Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, p.345.
1981
Lindsay Stainton, in Maurice Guillaud and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, p.82.
1989
Ann Sumner, Ruskin and the English Watercolour: From Turner to the Pre-Raphaelites, exhibition catalogue, Whitworth Art Gallery, Manchester 1989, p.51.
1990
Peter Bower, Turner’s Papers: A Study of the Manufacture, Selection and Use of his Drawing Papers 1787–1820, exhibition catalogue, Tate Gallery, London 1990, pp.86–7.
1992
David Hill, Turner in the Alps: The Journey through France & Switzerland in 1802, London 1992, pp.150–1.
1993
Mungo Campbell, A Complete Catalogue of Works by Turner in the National Gallery of Scotland, Edinburgh 1993, p.83 under no.36.
See notes to D04875; Turner Bequest LXXIX A for Turner’s series of five large drawings of the Rhine and Rhinefall at Schaffhausen, made from the banks of the river below the falls. Here, Turner looks across to Laufen Castle.
Turner made a watercolour, much elaborated from this drawing, for engraving by J.B. Allen for The Keepsake in 1833. The watercolour (Birmingham Museum and Art Gallery)1 was acquired after Turner’s death in 1851 by John Ruskin, who had made his own vivid and turbulent drawings of the Rhinefall in 1842 (Fogg Art Museum, Cambridge, Massachusetts).2 In an effusive passage in Modern Painters, Ruskin described how Turner had manipulated his composition ‘to give swing enough to the water’ as the fall ‘is straight and monotonous in reality’, and animated the foreground with figures and narrative: although everything in the finished version ‘exists on the spot ... the combinations are wholly arbitrary; it being Turner’s fixed principle to collect out of any scene, whatever was characteristic, and put it together just as he liked’.3 Turner made a fresh series of watercolours at Schaffhausen in 1841, which Ruskin may not have known.
Ian Warrell, Through Switzerland with Turner: Ruskin’s First Selection from the Turner Bequest, exhibition catalogue, Tate Gallery, London 1995, pp.14–15 reproduced in colour fig.4.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume VII: Modern Painters: Volume V: Completing the Work, and Containing Parts VI. Of Leaf Beauty–VII. Of Cloud Beauty; VIII. Of Ideas of Relation: 1. Of Invention Formal; IX. Of Ideas of Relation: 2. Of Invention Spiritual, London 1903, pp.211–12.
Technical notes:
For the paper and preparation see D04875
Verso:
Laid down
David Blayney Brown
January 2012
How to cite
David Blayney Brown, ‘Schaffhausen; the Rhinefall and Laufen Castle from the River Bank 1802 by Joseph Mallord William Turner’, catalogue entry, January 2012, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, September 2014, https://www