J.M.W. Turner: Sketchbooks, Drawings and Watercolours

ISBN 978-1-84976-386-8
J.M.W. Turner > 1819-29 Italy and after > Ports of England c.1822-8 > 'Ports of England' Studies > Artwork

Joseph Mallord William Turner Mount Batten Point across Plymouth Sound c.1822-8

Joseph Mallord William Turner, ‘Mount Batten Point across Plymouth Sound’ c.1822-8
Joseph Mallord William Turner 1775–1851
Mount Batten Point across Plymouth Sound c.1822–8
D25344
Turner Bequest CCLXIII 222
Watercolour on white wove paper, 192 x 278 mm
Inscribed by John Ruskin in red ink ‘222’ bottom right
Blind-stamped with Turner bequest monogram towards bottom right
Stamped in black ‘CCLXIII–222’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Eric Shanes writes that this drawing is a view of Mount Batten Point across Plymouth Sound, related to the Ports of England watercolour design of Catwater, Plymouth (Allport Library and Museum of Fine Arts, Hobart, Tasmania) or the designs for the Rivers of Devon series: Plymouth Citadel and Plymouth Sound.1 Turner had previously also pictured Mount Batten at Plymouth for the Southern Coast series in around 1816 (Victoria and Albert Museum, London) (see Tate impressions T04388, T05973, T05397).2
Rendered in warm yellow wash, Turner depicts Mount Batten in the distance on the left. The fifteenth-century circular artillery fort can be seen atop it. A whirling, tempestuous sky rendered vigorously in dark blue-grey wash frames the landmark, the sea ominous in charcoal tones beneath it. The atmosphere lightens towards the right of the composition where Turner has applied pale pink-orange wash in translucent layers to offer a contrastive illumination to the sombre rain-heavy cloud. The suggestion of what could be a sail-boat or perhaps the beginning of a landmass is rendered within this area at the right.
Turner produced two views of Plymouth for the Ports of England series: the first, simply entitled Plymouth, of about 1825 and the second, entitled Catwater, Plymouth, a year later. Though neither of these works is in the Turner Bequest, colour studies do remain at Tate. One relates directly to the first of these Ports views (Tate D25272; Turner Bequest CCLXIII 150). The other is a very loose study of Mount Batten tower from a distance (Tate D20217; Turner Bequest CCXX Jb).
Preparatory pencil sketches of the area can be found in the Ivy Bridge to Penzance sketchbook of 1811 (Tate D08866, D08869, D08874, D08878, D08879; Turner Bequest CXXV 2, 4, 9, 11a, 12) and the Plymouth, Hamoaze sketchbook of about 1812 to 1813 (Tate D09249; Turner Bequest CXXXI 30).
1
Shanes 1997, pp.94 Appendix I ‘Devonshire’, 100 Appendix I ‘Ports of England Series’ and Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.350 nos.440–1.
2
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.352, no.457.
Technical notes:
There are some incidental markings in brown wash at the top right of the verso of the sheet.
Verso:
Inscribed in pencil ‘CCLXIII 222’ top left.

Alice Rylance-Watson
March 2013

How to cite

Alice Rylance-Watson, ‘Mount Batten Point across Plymouth Sound c.1822–8 by Joseph Mallord William Turner’, catalogue entry, March 2013, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, September 2014, https://www.tate.org.uk/art/research-publications/jmw-turner/joseph-mallord-william-turner-mount-batten-point-across-plymouth-sound-r1148223, accessed 27 November 2024.