Joseph Mallord William Turner Baden, from the Zürich Road c.1803-8
Joseph Mallord William Turner 1775–1851
Baden, from the Zürich Road c.1803–8
D04899
Turner Bequest LXXX F
Turner Bequest LXXX F
Pencil and watercolour with scratching out on white wove paper, 273 x 332 mm (irregular)
Stamped in black ‘LXXX F’ bottom right, outside the image
Stamped in black ‘LXXX F’ bottom right, outside the image
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1983
J.M.W. Turner: Dibujos y acuarelas del Museo Británico, exhibition catalogue, Museo del Prado, Madrid, February–March 1983 (14).
1986
Turner Exhibition, National Museum of Western Art, Tokyo, August–October 1986, Municipal Museum of Art, Kyoto, October–November 1986 (60).
1989
Turner: The Second Decade: Watercolours and Drawings from the Turner Bequest 1800–1810, exhibition catalogue, Tate Gallery, London, January–March 1989 (14, as ‘Ruined Castle on a Hill Overlooking a Town’).
1997
Joseph Mallord William Turner, Bank Austria Kunstforum, Vienna, March–June 1997 (22, as ‘Baden’).
1997
J.M.W. Turner 1775–1851: A Tate Gallery Collection Exhibition, Yokohama Museum of Art, June–August 1997, Fukuoka Art Museum, September–October 1997, Nagoya City Art Museum, October–December 1997 (18).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.213, LXXX F, as ‘Ruined castle on Hill, overlooking town’.
1983
Lindsay Stainton and Andrew Wilton, J.M.W. Turner: Dibujos y acuarelas del Museo Británico, exhibition catalogue, Museo del Prado, Madrid 1983, pp.17, 36 reproduced in colour.
1986
Haruki Yaegashi, Martin Butlin, Evelyn Joll and others, Turner Exhibition, exhibition catalogue, National Museum of Western Art, Tokyo 1986, reproduced in colour.
1989
Robert Upstone, Turner: The Second Decade: Watercolours and Drawings from the Turner Bequest 1800–1810, exhibition catalogue, Tate Gallery, London 1989, pp.11 reproduced in colour, 24 reproduced.
1989
Robert Upstone, ‘Some Unidentified Views of Baden, Switzerland dating from 1802, and 1843 or 1844’, Turner Studies, vol.9 no.2, Winter 1989, p.57 reproduced, as ‘Castle Stein, overlooking Baden’.
1992
David Hill, Turner in the Alps: The Journey through France & Switzerland in 1802, London 1992, pp.145, 148 reproduced in colour.
1997
David Blayney Brown, Klaus Albrecht Schröder, Evelyn Benesch and others, Joseph Mallord William Turner, exhibition catalogue, Bank Austria Kunstforum, Vienna 1997, pp.144 reproduced in colour, 145.
1997
David B[layney] Brown, Yasuhide Shimbata and Hideko Numata, J.M.W. Turner 1775–1851: A Tate Gallery Collection Exhibition, exhibition catalogue, Yokohama Museum of Art 1997, pp.58–9 reproduced in colour.
2002
Lawrence Gowing, ‘Turner’s First Continental Tour in 1802’, Turner Society News, no.91, August 2002, pp.7, 11 note 7; reprint of 1975 lecture.
As Robert Upstone was the first to observe, this watercolour is directly based on a pencil sketch in the Lake Thun sketchbook used in Switzerland in 1802 (Tate D04720; Turner Bequest LXXVI 63). It is one of several recording Turner’s first impressions of Baden as approached from Zürich, with Castle Stein on its crag and the old town in the valley of the River Limmat below.
Finberg was surely right to describe this as an unfinished watercolour rather than a preparatory colour study. Turner chose another view of Baden from the Lake Thun sketchbook for a more developed watercolour, probably datable c.1808 or 1809 (private collection),1 and while usually dated earlier, the Tate version might be contemporary or have been started as an alternative. David Hill considers that ‘neither offers a particularly characteristic view of the site’, tending instead towards an idealised ‘castle on a hill’ composition.2 Indeed the treatment is strikingly classical, with framing trees, glowing horizon and mist hanging over the river in the middle distance.
Technical notes:
The paper is without watermark. The image has not been painted up to the edges of the sheet, leaving a rough, irregular border of untouched white paper.
Verso:
Blank
David Blayney Brown
January 2012
How to cite
David Blayney Brown, ‘Baden, from the Zürich Road c.1803–8 by Joseph Mallord William Turner’, catalogue entry, January 2012, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, September 2014, https://www