Joseph Mallord William Turner Addingham Mill on the River Wharfe ?1808
Joseph Mallord William Turner 1775–1851
Addingham Mill on the River Wharfe ?1808
D12111
Turner Bequest CLIV M
Turner Bequest CLIV M
Pencil on heavyweight, white wove paper, 446 x 593 mm
Inscribed by Turner in pencil ‘Adingham’ bottom right
Stamped in brown ‘CLIV M’ bottom right
Inscribed by Turner in pencil ‘Adingham’ bottom right
Stamped in brown ‘CLIV M’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1965
Turner at Farnley Hall, Bradford City Art Gallery, October 1965 (42).
1980
Turner in Yorkshire, York City Art Gallery, June–July 1980 (24 as ‘Addingham Mill on the River Wharfe, 1808?’).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.437, CLIV M, as ‘“Addingham,” on the Wharfe’.
1965
Turner at Farnley Hall, Bradford City Art Gallery, October 1965, no.42.
1979
Andrew Wilton, The Life and Work of J.M.W. Turner, London 1979, p.363, no.548.
1980
David Hill, Stanley Warburton, Mary Tussey and others, Turner in Yorkshire, exhibition catalogue, York City Art Gallery 1980, p.28 (no.24 as ‘Addingham Mill on the River Wharfe, 1808?’).
1982
Timothy Clifford, Turner at Manchester: Catalogue Raisonné: Collections of the City Art Gallery, exhibition catalogue, City Art Galleries, Manchester 1982, no.8.
1982
Turner Society News, no.25, Winter 1982, p.7.
1997
Charles Nugent and Melva Croal, Turner Watercolors from Manchester, exhibition catalogue, Memphis Brooks Museum of Art, Memphis 1997, no.30.
This is one of ten large pencil drawings including D12110, D12112, D12115, D12116, D12117, D12118, D12119, D12120 and D12121 (Turner Bequest CLIV L, N, Q, R, S, T, U, V, W) that form a coherent group of sketches in the Wharfe and Washburn Valleys near Farnley Hall, the Yorkshire home of Turner’s patron Walter Fawkes, and record a tour up the River Wharfe from Farnley to Bolton Abbey. Several formed the bases of finished watercolours, some of which are dateable to 1809. Previously dubbed by the present writer the ‘Wharfedale and Washburn’ sketchbook, they do not in fact form a sketchbook but nevertheless appear to come from a single campaign, probably in the summer of 1808 on Turner’s first visit to Farnley. It is remarkable that Turner chose to sketch in pencil on such large sheets as these, and it is not at all clear what purpose the large scale was supposed to serve. They must have been problematic to handle in the open air, and we must presume that weather conditions were benign to have made it feasible it work with them.
The present sketch is a view of Addingham Mill, looking upstream of the Wharfe about halfway between Ilkley and Bolton Abbey. It formed the basis of a finished watercolour of Addingham Mill (City Art Gallery, Manchester),1 painted for Fawkes about 1809.
Verso:
Blank
David Hill
July 2009
How to cite
David Hill, ‘Addingham Mill on the River Wharfe ?1808 by Joseph Mallord William Turner’, catalogue entry, July 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, September 2014, https://www