Joseph Mallord William Turner Chamonix and Mont Blanc, from the Slopes of the Montenvers 1802
Joseph Mallord William Turner 1775–1851
Chamonix and Mont Blanc, from the Slopes of the Montenvers 1802
D04607
Turner Bequest LXXV 15
Turner Bequest LXXV 15
Pencil, watercolour and gouache on white wove paper prepared with grey wash, 320 x 475 mm
Inscribed by Turner in pencil ?‘Tullio’ towards bottom left
Stamped in black ‘LXXV 15’ bottom right
Blind-stamped with the Turner Bequest monogram towards bottom right
Inscribed by Turner in pencil ?‘Tullio’ towards bottom left
Stamped in black ‘LXXV 15’ bottom right
Blind-stamped with the Turner Bequest monogram towards bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1857
Marlborough House, London, 1857 (40, as ‘Flank of the Valley of Chamouni’).
1878
National Gallery, London, various dates, 1878–1904 (554).
1947
William Turner 1775–1851: Die Ausstellung wurde von der Tate Gallery für den British Council organisiert, Berner Kunstmuseum, Bern, December 1947–February 1948 (69, as ‘Mont Blanc from the Valley of the Chamouni’).
1979
Turner’s First Visit to the Continent: Watercolours from the Turner Bequest Loaned by the British Museum, Tate Gallery, London, July–December 1979 (no catalogue, as ‘Mont Blanc, from the Valley of Chamonny’).
1981
Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, Centre Culturel du Marais, Paris, October 1981–January 1982 (21).
1988
Summer Miscellany: Watercolours from the Turner Bequest, Tate Gallery, London, July–October 1988 (no catalogue).
1997
Joseph Mallord William Turner, Bank Austria Kunstforum, Vienna, March–June 1997 (20).
1997
J.M.W. Turner 1775–1851: A Tate Gallery Collection Exhibition, Yokohama Museum of Art, June–August 1997, Fukuoka Art Museum, September–October 1997, Nagoya City Art Museum, October–December 1997 (17).
1998
Turner in the Alps 1802, Tate Gallery, London, November 1998–February 1999, Fondation Pierre Gianadda, Martigny, March–June 1999 (32).
2008
Reisen mit William Turner: J.M.W. Turner: Das Liber Studiorum, Galerie Stihl, Waiblingen, May–September 2008 (no number).
References
1862
Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians, London 1862 [1861], p.390.
1897
?Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians: A New Edition, Revised with 8 Coloured Illustrations after Turner’s Originals and 2 Woodcuts, London 1897, p.586.
1902
E.T. Cook (ed.), Ruskin on Pictures: A Collection of Criticisms by John Ruskin not heretofore Re-printed and now Re-edited and Re-arranged, vol.I, London 1902, p.228, as ‘Flank of the Valley of Chamouni’.
1904
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.268, 635.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.202, LXXV 15, as ‘Mont Blanc, from the Valley of Chamouny’.
1947
[Humphrey Brooke], William Turner 1775–1851: Die Ausstellung wurde von der Tate Gallery für den British Council organisiert, exhibition catalogue, Berner Kunstmuseum, Bern 1947, no.69.
1966
Jack Lindsay, J.M.W. Turner: His Life and Work: A Critical Biography, London 1966, pp.117, 236 note 25.
1970
N.[Nicholas]A. Serota, ‘J.M.W. Turner’s Alpine Tours’, unpublished M.A. Report, Courtauld Institute of Art, University of London 1970, p.19.
1981
Lindsay Stainton in Maurice Guillaud and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, pp.21 reproduced Fig.133, 22.
1984
Craig Hartley, Turner Watercolours in the Whitworth Art Gallery, exhibition catalogue, Whitworth Art Gallery, Manchester 1984, p.37.
1997
David Blayney Brown, Klaus Albrecht Schröder, Evelyn Benesch and others, Joseph Mallord William Turner, exhibition catalogue, Bank Austria Kunstforum, Vienna 1997, p.141 reproduced in colour.
1997
David B[layney] Brown, Yasuhide Shimbata and Hideko Numata, J.M.W. Turner 1775–1851: A Tate Gallery Collection Exhibition, exhibition catalogue, Yokohama Museum of Art 1997, p.61 reproduced in colour.
1998
David Blayney Brown, Turner in the Alps 1802, exhibition catalogue, Tate Gallery, London 1998, pp.104–5 reproduced in colour.
1999
David Blayney Brown, Turner et les Alpes 1802, exhibition catalogue, Fondation Pierre Gianadda, Martigny 1999, pp.104–5 reproduced in colour.
2002
Lawrence Gowing, ‘Turner’s First Continental Tour in 1802’, Turner Society News, no.91, August 2002, pp.8, 12 note 20.
2008
Gillian Forrester, David Hill, Matthew Imms and others, Reisen mit William Turner: J.M.W. Turner: Das Liber Studiorum, exhibition catalogue, Galerie Stihl, Waiblingen 2008, p.28 reproduced in colour.
This subject is similar to another coloured drawing from this sketchbook (D04610; Turner Bequest LXXV 18), but is more focused on the immediate foreground, the path to the Montenvers strewn with rocks and overhung by trees. In his catalogue for Marlborough House, John Ruskin described this as a ‘rough sketch made at the same time as the other, but looking down the valley towards Mont Blanc. [Turner] made a more elaborate sketch of this, and afterwards realised it for Mr Fawkes of Farnley.’1 The Fawkes watercolour, signed and dated 1809 (Whitworth Art Gallery, Manchester),2 has been identified by Eric Shanes as the Montanvert, Valley of Chamouni shown in Fawkes’s exhibition of his collection at 45 Grosvenor Place in 1819.3 Shanes describes the view as south-westwards down the valley of the River Arve, across a wide swathe of the Montenvers, with Mont Blanc high on the left.
In this drawing, there is at least one figure standing, and perhaps another seated. Turner’s inscription is somewhat obscure. Read by Finberg as ‘Teillio’ it is more probably Tullio and the name of a guide or some other traveller Turner met on the climb.
Verso:
Blank
Inscribed by a later hand in pencil ‘8’ within a circle
David Blayney Brown
October 2011
How to cite
David Blayney Brown, ‘Chamonix and Mont Blanc, from the Slopes of the Montenvers 1802 by Joseph Mallord William Turner’, catalogue entry, October 2011, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, August 2014, https://www