Joseph Mallord William Turner Mont Blanc, from Sallanches 1802
Joseph Mallord William Turner 1775–1851
Mont Blanc, from Sallanches 1802
D04603
Turner Bequest LXXV 11
Turner Bequest LXXV 11
Pencil, black chalk, watercolour and white gouache on white wove paper prepared with grey wash, 320 x 376 mm
Stamped in black ‘LXXV 11’ bottom right
Blind-stamped with the Turner Bequest monogram towards bottom right
Stamped in black ‘LXXV 11’ bottom right
Blind-stamped with the Turner Bequest monogram towards bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1879
Oxford Loan Collection, University Galleries, Oxford, 1879 until at least 1909 (43–193).
1947
William Turner 1775–1851: Die Ausstellung wurde von der Tate Gallery für den British Council organisiert, Berner Kunstmuseum, Bern, December 1947–February 1948 (68, as ‘Mont Blanc from St Martin’s Bridge’).
1952
Turner Watercolours for the Huntingdon [sic] Art Gallery, Huntington Art Gallery, San Marino, California, January–March 1952 (frame 3).
1965
[Display of Watercolours from the Turner Bequest], Tate Gallery, London, ?–?March 1965 (no catalogue).
1979
Turner’s First Visit to the Continent: Watercolours from the Turner Bequest Loaned by the British Museum, Tate Gallery, London, July–December 1979 (no catalogue).
1981
Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, Centre Culturel du Marais, Paris, October 1981–January 1982 (18).
1998
Turner in the Alps 1802, Tate Gallery, London, November 1998–February 1999, Fondation Pierre Gianadda, Martigny, March–June 1999 (26).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.201, LXXV 11, as ‘Mont Blanc, from St. Martin’s Bridge’.
1947
[Humphrey Brooke], William Turner 1775–1851: Die Ausstellung wurde von der Tate Gallery für den British Council organisiert, exhibition catalogue, Berner Kunstmuseum, Bern 1947, no.68.
1970
N.[Nicholas]A. Serota, ‘J.M.W. Turner’s Alpine Tours’, unpublished M.A. Report, Courtauld Institute of Art, University of London 1970, p.14.
1976
John Russell and Andrew Wilton, Turner in Switzerland, Zurich 1976, p.135.
1979
Andrew Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, p.342.
1981
Lindsay Stainton, in Maurice Guillaud and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, pp.74 reproduced fig.131, 75.
1987
Andrew Wilton, Turner Watercolours in the Clore Gallery, London 1987, pp.50–1 reproduced in colour pl.18.
1992
David Hill, Turner in the Alps: The Journey through France & Switzerland in 1802, London 1992, p.52.
1998
David Blayney Brown, Turner in the Alps 1802, exhibition catalogue, Tate Gallery, London 1998, pp.92–3 reproduced in colour.
1999
David Blayney Brown, Turner et les Alpes 1802, exhibition catalogue, Fondation Pierre Gianadda, Martigny 1999, pp.92–3 reproduced in colour.
2000
David Hill, Joseph Mallord William Turner: Le Mont-Blanc et la Vallée d’Aoste, exhibition catalogue, Museo Archeologico Regionale, Aosta / Musée Archéologique Régional, Aoste 2000, pp.65, 271.
Turner’s label for this drawing reads ‘Le Montagne vis a vis St Martin avec le Arve Savoy’ [sic], reflecting the prominence given to Mont Blanc. The view is actually from Sallanches, and represents what was for many travellers their first clear view of the massif if approaching, as Turner did, from Bonneville and Cluses. With its tiled houses, villagers, flock of sheep and screen of trees, the drawing served as the basis of the watercolour made c.1809, perhaps for Walter Fawkes (private collection).1 Turner drew a similar view on a sheet of sketches around Cluses and Sallanches during his tour with H.A.J. Munro of Novar in 1836 (see the Val d’Aosta sketchbook, Tate D29087, Turner Bequest CCXCIII 28a).
Turner listed ‘Salenche’ twice among subjects commissioned, in hand or ‘done’ at the front of his album of 1802 dawings (see Technical notes to the Grenoble sketchbook, Tate Turner Bequest LXXIV).
Verso:
Laid down
David Blayney Brown
October 2011
How to cite
David Blayney Brown, ‘Mont Blanc, from Sallanches 1802 by Joseph Mallord William Turner’, catalogue entry, October 2011, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, August 2014, https://www