Joseph Mallord William Turner Grenoble from the River Drac; the Bastille, Mont Rachais and Mont St Eynard 1802
Joseph Mallord William Turner 1775–1851
Grenoble from the River Drac; the Bastille, Mont Rachais and Mont St Eynard 1802
D04508
Turner Bequest LXXIV 15
Turner Bequest LXXIV 15
Pencil, black chalk and white gouache on greyish-brown laid paper, 215 x 282 mm
Stamped in black ‘LXXIV Y’ bottom right
Blind-stamped with the Turner Bequest monogram bottom right
Stamped in black ‘LXXIV Y’ bottom right
Blind-stamped with the Turner Bequest monogram bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1857
Marlborough House, London, 1857 (31 II, as ‘Grenoble, with Mont Blanc’).
1878
National Gallery, London, various dates from 1878 to 1904 (546b, as ‘Grenoble, with Mont Blanc’).
1981
Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, Centre Culturel du Marais, Paris, October 1981–January 1982 (5/13).
1998
Turner in the Alps 1802, Tate Gallery, London, November 1998–February 1999, Fondation Pierre Gianadda, Martigny, March–June (8, as ‘Grenoble from the South’).
References
1859
John Burnet and Peter Cunningham, Turner and his Works: Illustrated with Examples from his Pictures, and Critical Remarks on his Principles of Painting, 2nd ed., revised by Henry Murray, London 1859, p.116 no.31 II, as ‘Grenoble, with Mont Blanc’.
1862
Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians, London 1862 [1861], p.390.
1897
Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians: A New Edition, Revised with 8 Coloured Illustrations after Turner’s Originals and 2 Woodcuts, London 1897, p.586.
1879
Philip Gilbert Hamerton, The Life of J. M. W. Turner, R.A., London 1879, p.94, as ‘In an Alpine Valley (Grenoble)’.
1903
Charles Holme (ed.), Robert de la Sizeranne, Walter Shaw Sparrow and others, The Genius of J.M.W. Turner, R.A., London, Paris and New York 1903, reproduced Pl.49: MW 26.
1904
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.265, 375, 609, 634.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.198, LXXIV 15 and/or 18.
1981
Lindsay Stainton, in Maurice Guillaud and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, pp.68, 62 reproduced Fig.116.
Andrew Wilton, in Maurice Guillaud and others, Turner en France, pp.34–5, 38–9 note 57.
1992
David Hill, Turner in the Alps: The Journey through France & Switzerland in 1802, London 1992, pp.32–3 reproduced, 168, as ‘Grenoble from the south...’.
1998
David Blayney Brown, Turner in the Alps 1802, exhibition catalogue, Tate Gallery, London 1998, pp.52–3 reproduced in colour.
1999
David Blayney Brown, Turner et les Alpes 1802, exhibition catalogue, Fondation Pierre Gianadda, Martigny 1999, pp.52–3 reproduced in colour.
For Turner’s visit to Grenoble in 1802 see Introduction to the sketchbook and notes to D04495; Turner Bequest LXXIV 3.
One of Turner’s labels inscribed ‘Grenoble Mt Blanc’ or ‘fort de Grenoble’ probably refers to this drawing, which shows the city from the south, beside the River Drac, with Mont Rachais on the left and Mont St Eynard in the centre, with Mont de l’Ecoutoux or the Chamechaude between them. The ramparts of the Bastille climb the slope from the Porte de France beside the River Isère. Towards the right, the south-eastern massif of the Chartreuse overlooks the Valley of Grenoble while Mont Blanc can be seen in the distance. The spire of the Church of Saint-Laurent is recognisable above the roofs of the city. A similar view from this sketchbook, taken from slightly further to the west, is D04541; Turner Bequest LXXIV 49 (stamped ‘O’). For comments and corrections on the contents of these drawings, the author is grateful to Roland Courtot of the University of Aix-en-Provence.1
In his catalogue notes for Marlborough House, John Ruskin described the present drawing as ‘first rate in cloud and hill drawing’.2 Drawings entitled ‘Grenoble, with Mont Blanc’ were exhibited at the National Gallery with exhibition numbers 5 and 546b,3 and were numbered by Finberg 15 and 18 respectively within the Grenoble series. However, the present sheet is stamped ‘Y’ and Finberg’s ‘18’ is untraced, leaving the possibility that the same drawing was listed twice.
The sheet is badly faded from exposure.
Verso:
Blank, inscribed perhaps by a later hand in pencil ‘no15’
David Blayney Brown
September 2011
How to cite
David Blayney Brown, ‘Grenoble from the River Drac; the Bastille, Mont Rachais and Mont St Eynard 1802 by Joseph Mallord William Turner’, catalogue entry, September 2011, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, August 2014, https://www