Joseph Mallord William Turner Grenoble from the River Isère, with the Porte de France 1802
Joseph Mallord William Turner 1775–1851
Grenoble from the River Isère, with the Porte de France 1802
D04507
Turner Bequest LXXIV 14a
Turner Bequest LXXIV 14a
Pencil, black chalk and white gouache on greyish-buff laid paper, 215 x 282 mm
Stamped in black ‘LXXIV X’ bottom right
Blind-stamped with the Turner bequest monogram bottom right
Stamped in black ‘LXXIV X’ bottom right
Blind-stamped with the Turner bequest monogram bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1857
Marlborough House, London, 1857 (32 as ‘Grenoble’).
1878
National Gallery, London, various dates from 1878 to 1904 (547b, as ‘Grenoble’).
1981
Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, Centre Culturel du Marais, Paris, October 1981–January 1982 (5/13).
1998
Turner in the Alps 1802, Tate Gallery, London, November 1998–February 1999, Fondation Pierre Gianadda, Martigny, March–June 1999 (6, as ‘Grenoble from the River Isère’).
References
1902
E.T. Cook (ed.), Ruskin on Pictures: A Collection of Criticisms by John Ruskin not heretofore Re-printed and now Re-edited and Re-arranged, London 1902, vol.I, p.227, as ‘Grenoble’.
1903
Charles Holme (ed.), Robert de la Sizeranne, Walter Shaw Sparrow and others, The Genius of J.M.W. Turner, R.A., London, Paris and New York 1903, reproduced Pl.43: MW 20.
1904
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.266, 634.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.198, LXXIV 14a.
1981
Lindsay Stainton, in Maurice Guillaud and others, Turner en France: aquarelles, peintures, dessins, gravures, carnets de croquis / Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, pp.68, 64 reproduced Fig.120.
Andrew Wilton, in Maurice Guillaud and others, Turner en France, pp.34–5, 38–9 note 57.
1991
Ian Warrell, Turner: The Fourth Decade: Watercolours 1820–1830, exhibition catalogue, Tate Gallery, London 1991, p.44.
1992
David Hill, Turner in the Alps: The Journey through France & Switzerland in 1802, London 1992, pp.32–3 reproduced, 167, as ‘Grenoble from the banks of the Isère...’.
1998
David Blayney Brown, Turner in the Alps 1802, exhibition catalogue, Tate Gallery, London 1998, pp.48–9 reproduced in colour, as ‘Grenoble from the River Isère’.
1999
David Blayney Brown, Turner et les Alpes 1802, exhibition catalogue, Fondation Pierre Gianadda, Martigny 1999, pp.48–9 reproduced in colour.
For Turner’s visit to Grenoble in 1802 see Introduction to the sketchbook and notes to D04495; Turner Bequest LXXIV 3.
Turner’s label for this drawing is inscribed ‘Ville de Grenoble Pont pour les Carousses Port de France Citadel &c’ [sic]. From the River Isère the artist looks east towards the city; in the left foreground is the Porte de France (built in 1620) and behind it the ramparts running up to the Bastille. The bridge on the right corresponds to the position of the present-day Pont Goutard. The cluster of buildings to its left includes the convent of the Visitation-de-Sainte-Marie d’en-Haut (today the Musée Dauphinoise). The river is bustling with activity and the shadows cast by boats and figures on the water and highlights of white on buildings indicate a bright, sunny day. The Belledonne massif is in the distance. For comments on this subject, the author is grateful to Roland Courtot of the University of Aix-en-Provence.1 For views of the city and river from this sketchbook, with a different, wooden bridge, see the recto, D04506; Turner Bequest 14, and D04508; Turner Bequest LXXIV 15.
In his catalogue notes for Marlborough House, John Ruskin thought this drawing ‘less valuable than most of the series [of Sketches in Savoy and Piedmont], but interesting in the way in which [Turner] climbs from the near building on the right to the fort above, along the winding wall’.2
Verso:
Blank, inscribed by a later hand in pencil ‘no14a Grenoble’
David Blayney Brown
March 2012
How to cite
David Blayney Brown, ‘Grenoble from the River Isère, with the Porte de France 1802 by Joseph Mallord William Turner’, catalogue entry, March 2012, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, August 2014, https://www