Joseph Mallord William Turner Aosta: The Arch of Augustus from the Via Sant'Anselmo 1802
Joseph Mallord William Turner 1775–1851
Aosta: The Arch of Augustus from the Via Sant’Anselmo 1802
D04501
Turner Bequest LXXIV 9
Turner Bequest LXXIV 9
Pencil, black chalk and white gouache on greyish-buff laid paper, 211 x 282 mm
Stamped in black ‘LXXIV 9’ bottom right
Blind-stamped with the Turner Bequest monogram bottom right
Stamped in black ‘LXXIV 9’ bottom right
Blind-stamped with the Turner Bequest monogram bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1857
Marlborough House, London, 1857 (26 I, as ‘Roman Gate at Aosta, with Street of the Town’).
1878
National Gallery, London, various dates from 1878 to 1904 (541a).
1998
Turner in the Alps 1802, Tate Gallery, London, November 1998–February 1999, Fondation Pierre Gianadda, Martigny, March–June 1999 (47, as ‘Aosta; the Porta Praetoria from the Via Sant’Anselmo’).
1993
J.M.W. Turner 1775–1851: Impressions de Gran Bretanya i el Continent Europeu / Impresiones de Gran Bretaña y el Continente Europeo, Centre Cultural de la Fundació ”la Caixa”, Barcelona, September–November 1993, Sala de Exposiciones de la Fundación ”la Caixa”, Madrid, November 1993–January 1994 (19).
1994
J.M.W. Turner 1775–1851: Aquarelles et Dessins du Legs Turner: Collection de la Tate Gallery, Londres / Watercolours and Drawings from the Turner Bequest: Collection from the Tate Gallery, London, Palais des Beaux-Arts de Charleroi, September–December 1994 (19).
References
1859
John Burnet and Peter Cunningham, Turner and his Works: Illustrated with Examples from his Pictures, and Critical Remarks on his Principles of Painting, 2nd ed., revised by Henry Murray, London 1859, p.116 no.26 I, as ‘Roman Gate at Aosta, with Street of the Town’.
1862
Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians, London 1862 [1861], p.389.
1897
Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians: A New Edition, Revised with 8 Coloured Illustrations after Turner’s Originals and 2 Woodcuts, London 1897, p.585.
1902
E.T. Cook (ed.), Ruskin on Pictures: A Collection of Criticisms by John Ruskin not heretofore Re-printed and now Re-edited and Re-arranged, London 1902, vol.I, pp.224–5.
1904
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.263, 375, 634.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.197, LXXIV 9.
1993
Ian Warrell, J.M.W. Turner 1775–1851: Impressions de Gran Bretanya i el Continent Europeu / Impresiones de Gran Bretaña y el Continente Europeo, exhibition catalogue, Centre Cultural de la Fundació ”la Caixa”, Barcelona 1993, pp.84–5 reproduced in colour.
1992
David Hill, Turner in the Alps: The Journey through France & Switzerland in 1802, London 1992, p.82.
1994
Ian Warrell, J.M.W. Turner 1775–1851: Aquarelles et Dessins du Legs Turner: Collection de la Tate Gallery, Londres / Watercolours and Drawings from the Turner Bequest: Collection from the Tate Gallery, London, exhibition catalogue, Palais des Beaux-Arts de Charleroi 1994.
1998
David Blayney Brown, Turner in the Alps 1802, exhibition catalogue, Tate Gallery, London 1998, pp.136–7 reproduced in colour.
1999
David Blayney Brown, Turner et les Alpes 1802, exhibition catalogue, Fondation Pierre Gianadda, Martigny 1999, pp.136–7 reproduced in colour.
1999
David Hill, ‘Turner in the Alps’, Turner Society News, no.81, March 1999, p.5.
2000
David Hill, Joseph Mallord William Turner: Le Mont-Blanc et la Vallée d’Aoste, exhibition catalogue, Museo Archeologico Regionale, Aosta / Musée Archéologique Régional, Aoste 2000, pp.51, 82, 287.
For Turner’s visit to Aosta in 1802 see Introduction to the sketchbook. Turner’s label for this drawing must be the one inscribed ‘Ville de Aoust avec le Pte’ [sic].
Turner was impressed with the Roman architecture of Aosta, the nearest he had come thus far to classical antiquity. This is one of two drawings from this sketchbook of the Arch of Augustus, built in 25 B.C. on the eastern edge of the Roman city between the old bridge and the Porta Praetoria on the Via Sant’Anselmo. This one looks directly at the structure, with its later cross suspended in the opening (still there today); the other (D04502; Turner Bequest LXXIV 10) is taken from near the tiled building with sun blinds seen here on the right, looking towards the wooded slopes outside the city to the south, with the gate on the left. In his catalogue notes for Marlborough House, John Ruskin commented: ‘Turner has been rather puzzled by the Swiss cottages, which were not reconcilable with academical rules of architecture. He sits down to his triumphal arch with great zeal, and a satisfied conscience.’1
Verso:
Blank, inscribed perhaps by a later hand in pencil ‘5’
David Blayney Brown
September 2011
How to cite
David Blayney Brown, ‘Aosta: The Arch of Augustus from the Via Sant’Anselmo 1802 by Joseph Mallord William Turner’, catalogue entry, September 2011, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, August 2014, https://www