Joseph Mallord William Turner The Château d'Argent, above Villeneuve, Val d'Aosta, Mount Emilius in the Distance 1802
Joseph Mallord William Turner 1775–1851
The Château d’Argent, above Villeneuve, Val d’Aosta, Mount Emilius in the Distance 1802
D04500
Turner Bequest LXXIV 8
Turner Bequest LXXIV 8
Pencil, black chalk and white gouache on greyish-buff laid paper, 212 x 280 mm
Stamped in black ‘LXXIV 8’ bottom right
Blind-stamped with the Turner Bequest monogram bottom right
Stamped in black ‘LXXIV 8’ bottom right
Blind-stamped with the Turner Bequest monogram bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1857
Marlborough House, London, 1857 (27 I, as ‘Castle of Aosta. Pencil sketch’).
1878
National Gallery, London, various dates from 1878 to 1904 (542a, as ‘Castle of Aosta’).
1998
Turner in the Alps 1802, Tate Gallery, London, November 1998–February 1999, Fondation Pierre Gianadda, Martigny, March–June 1999(42, as ‘The Chateau d’Argent, above Villeneuve, Val d’Aosta’_.
References
1859
John Burnet and Peter Cunningham, Turner and his Works: Illustrated with Examples from his Pictures, and Critical Remarks on his Principles of Painting, 2nd ed., revised by Henry Murray, London 1859, p.116 no.27 I, as ‘Castle of Aosta. Pencil sketch’.
1862
Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians, London 1862 [1861], p.389.
1897
Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians: A New Edition, Revised with 8 Coloured Illustrations after Turner’s Originals and 2 Woodcuts, London 1897, p.585.
1902
E.T. Cook (ed.), Ruskin on Pictures: A Collection of Criticisms by John Ruskin not heretofore Re-printed and now Re-edited and Re-arranged, London 1902, vol.I, p.225.
1904
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.263, 634, as ‘Castle of Aosta’.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.197, LXXIV 8.
1970
N.[Nicholas]A. Serota, ‘J.M.W. Turner’s Alpine Tours’, unpublished M.A. Report, Courtauld Institute of Art, University of London 1970, p.12.
1977
Jean Selz, Turner, Naefels 1977, p.63.
1982
Andrew Wilton, Turner Abroad: France; Italy; Germany; Switzerland, London 1982, p.34.
1985
Andrew Wilton, Turner Abroad: France; Italy; Germany; Switzerland, exhibition catalogue, National Gallery of Victoria, Melbourne 1985, p.34.
1989
Robert Upstone, Turner: The Second Decade: Watercolours and Drawings from the Turner Bequest 1800–1810, exhibition catalogue, Tate Gallery, London 1989, p.23.
1992
David Hill, Turner in the Alps: The Journey through France & Switzerland in 1802, London 1992, p.80.
1998
David Blayney Brown, Turner in the Alps 1802, exhibition catalogue, Tate Gallery, London 1998, pp.126–7 reproduced in colour, 128, as ‘The Chateau d’Argent, above Villeneuve, Val d’Aosta’.
1999
David Blayney Brown, Turner et les Alpes 1802, exhibition catalogue, Fondation Pierre Gianadda, Martigny 1999, pp.126–7 reproduced in colour, 128.
2000
David Hill, Joseph Mallord William Turner: Le Mont-Blanc et la Vallée d’Aoste, exhibition catalogue, Museo Archeologico Regionale, Aosta / Musée Archéologique Régional, Aoste 2000, pp.79, 283.
Turner’s label for this drawing is probably the one inscribed ‘Chateau de Aoust’, a title retained by John Ruskin and for the early displays at the National Gallery where it was shown with a version in watercolour painted after Turner’s return to England (Tate D04895; Turner Bequest LXXX B).
The drawing is quite carefully studied from Turner’s first impression of the Château d’Argent, its tower silhouetted against the snowy slopes of Mount Emilius, also from this sketchbook (D40200). As David Hill points out, Turner saw the castle as he approached Villeneuve from the Fort Roch road. With its frame of trees the composition is classically treated, reflecting the fact that this stretch of Turner’s tour in 1802 was effectively his first sight of Italy. John Ruskin remarked the ‘classicalness’ of Turner’s views of the Roman architecture of Aosta (see, from this sketchbook, D04501–D04503; Turner Bequest LXXIX 9–11) and thought this subject showed that the artist was ‘yet hampered by old rules and precedents. He is still trying to tame the Alps into submission to Richard Wilson’.1
The watercolour, particularly delicate yet brilliantly coloured, omits most of the flock of sheep in the foreground here, and kept only the trunk of the left-hand tree.
Verso:
Blank
David Blayney Brown
September 2011
How to cite
David Blayney Brown, ‘The Château d’Argent, above Villeneuve, Val d’Aosta, Mount Emilius in the Distance 1802 by Joseph Mallord William Turner’, catalogue entry, September 2011, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, August 2014, https://www