Joseph Mallord William Turner Studies of Normandy Caps; Figures, Boats, and the Harbour of Le Havre 1821
Joseph Mallord William Turner 1775–1851
Folio 2 Recto:
Studies of Normandy Caps; Figures, Boats, and the Harbour of Le Havre 1821
D24502
Turner Bequest CCLVIII 2
Turner Bequest CCLVIII 2
Pencil on white wove paper, 118 x 123 mm
Stamped in black ‘CCLVIII – 2’ top left inverted
Stamped in black ‘CCLVIII – 2’ top left inverted
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1904
National Gallery, London, various dates to at least 1904 (566b, as ‘Studies of Norman Caps’).
References
1904
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.273 as ‘Study of Norman Caps’, 635 under no.566.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.786, CCLVIII 2, as ‘Studies of Normandy caps, &c.’.
1993
Ian Warrell, J.M.W. Turner 1775–1851: Impressions de Gran Bretanya i el Continent Europeu / Impresiones de Gran Bretaña y el Continente Europeo, exhibition catalogue, Centre Cultural de la Fundació ”la Caixa”, Barcelona 1993, p.302 under no.59.
1994
Ian Warrell, J.M.W. Turner 1775–1851: Aquarelles et Dessins du Legs Turner: Collection de la Tate Gallery, Londres / Watercolours and Drawings from the Turner Bequest: Collection from the Tate Gallery, London, exhibition catalogue, Palais des Beaux-Arts de Charleroi 1994, p.184 under no.59.
1999
Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, pp.25, 221, 253 note 48, 262 note 190.
Turner used this page for a variety of studies. Across the top are nine studies of the caps worn by the women of Normandy. Most of the female figures drawn on the quaysides of Rouen and elsewhere in the sketchbook wear this distinctive headgear. Turner methodically sketched the hats from every angle with faces, necks and shoulders in some of the sketches for context. At the bottom right of the page are related studies of figures carrying baskets on their backs, a standing group and a sitting group.
At the upper left is a slight sketch of a boat with a riverbank or shore behind it and perhaps cliffs at the right. It is inscribed ‘Fog of Rouen | m[...]y | wood [...]’. The sketch at the bottom of the page, inscribed ‘Havre’, depicts the entrance to the harbour with the Tour Francois Ier (seen clearly in a gouache and watercolour on blue paper study painted around 1832: Tate D24548; Turner Bequest CCLIX 83), and the Honfleur headland beyond.
Finally, at the centre of the page, drawn with the book rotated to the right, is a study of a boat; its mainsail rolled up around the boom and the deck crowded with figures, several of whom lean against the boom. To the right is a second study of the same or a different boat’s stern.
Technical notes:
The page has yellowed considerably due to light exposure from having been exhibited apart from an unaffected border which was covered by a mount.
Thomas Ardill
February 2013
How to cite
Thomas Ardill, ‘Studies of Normandy Caps; Figures, Boats, and the Harbour of Le Havre 1821 by Joseph Mallord William Turner’, catalogue entry, February 2013, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, August 2014, https://www