Joseph Mallord William Turner The Church of San Giuseppe at Luino, Lake Maggiore 1819
Joseph Mallord William Turner 1775–1851
Folio 4 Verso:
The Church of San Giuseppe at Luino, Lake Maggiore 1819
D14151
Turner Bequest CLXXIV 3 c
Turner Bequest CLXXIV 3 c
Pencil on white wove paper, 186 x 111 mm
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.507, as ‘Road leading past a portico to distant mountains’.
2006
Federico Crimi, ‘J.M.W. Turner e il Verbano: Sulle vedute del porto d’Arona e dell’Isola Bella’, in Verbanus, no.27, 2006, pp.180 note 8, 182 reproduced.
2007
Federico Crimi, ‘J.M.W. Turner e il Verbano: 1819: Torino, Milano e il Sempione’, in Verbanus, no.28, 2007, pp.23 note 18, 30–1 (see Tavola B).
2008
Federico Crimi, ‘J.M.W. Turner, a Luino’, Il Rondò, no.20, 2008, pp.25–44.
2009
Federico Crimi, ‘ “Il lago è un libro pieno di ogni possibile effetto.” Vedute della riva orientale tra Sette e Ottocento, indizi per un catalogo generale del Verbano’, Loci Travaliae, no.18, 2009, pp.83–185.
2009
Federico Crimi, ‘J.M.W. Turner e il Verbano: Repertorio’, in Verbanus, no.30, 2009, pp.58–9, as ‘Luino, lungolargo con l’oratorio di San Giuseppe’.
Federico Crimi has identified the subject of this sketch as the Church of San Giuseppe at Luino, a small town on the eastern shore of Lake Maggiore.1 Built in the seventeenth century, the church stands near the marketplace, at present-day Piazza Garibaldi, and has a distinctive porch topped by statues of St Giuseppe and St Dionigi. Turner’s sketch looks north-east across the façade of the church with the shoreline of the lake on the left. Further sketches can be seen on folios 75 and 75 verso (D14288–9; Turner Bequest CLXXIV 74–74a).
As noted by Crimi the position of this sketch near the beginning of the Turin, Como, Lugarno sketchbook does not fit in with the geographical itinerary followed by Turner during his journey from Turin to Milan via the Italian Lakes.2 Crimi has suggested therefore that the study may not have been drawn on the spot, but rather that Turner may have copied the view from a print.3 A further possibility is that when the artist reached Luino, he simply used a spare, blank sheet to record the view, regardless of the disruption this presented within the logical order of the pages. Finally, yet another explanation would be that when the sketchbook was broken up during the nineteenth century,4 an error was made in numbering the leaves and the book was subsequently reassembled incorrectly. For further information about the physical order of the pages see the sketchbook introduction.
Nicola Moorby
December 2012
How to cite
Nicola Moorby, ‘The Church of San Giuseppe at Luino, Lake Maggiore 1819 by Joseph Mallord William Turner’, catalogue entry, December 2012, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, August 2013, https://www