Joseph Mallord William Turner Studies of Sculptural Fragments and Reliefs from the Vatican Museums, Including an Acroterion from a Tomb and Part of a Grave Altar 1819
Joseph Mallord William Turner 1775–1851
Folio 13 Recto:
Studies of Sculptural Fragments and Reliefs from the Vatican Museums, Including an Acroterion from a Tomb and Part of a Grave Altar 1819
D15127
Turner Bequest CLXXX 12
Turner Bequest CLXXX 12
Pencil on white wove paper, 161 x 101 mm
Inscribed by the artist in pencil (see main catalogue entry)
Inscribed by John Ruskin in red ink ‘12’ bottom right
Stamped in black ‘CLXXX 12’ bottom right
Inscribed by John Ruskin in red ink ‘12’ bottom right
Stamped in black ‘CLXXX 12’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.531 (as ‘Sketches of exhibits numbered “1018” (or “1818”) and “1076” ’).
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.141 note 58, 413, 476 note 8, as ‘(a) Acroterion from a tomb (A, I, pl.30, 198)’.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.51 note 6, 58 note 35.
During his 1819 stay in Rome, one of Turner’s most extensive sketching campaigns was the large number of pencil studies made from the sculpture collections of the Vatican Museums (for a general discussion, see the introduction to the sketchbook). This page contains sketches of two objects from the Museo Chiaramonti and Museo Pio-Clementino. The studies are numbered from top left to bottom right:
a.
Cecilia Powell has identified the top sketch as an acroterion,1 from a tomb in the Galleria Lapidaria (Lapidary Gallery) of the Museo Chiaramonti.2 Generally designed to be placed at the apex of a pediment, an acroterion is an architectural ornament placed on a flat base, here in the form of a statue mounted within a decorative pedestal. Turner has numbered the object ‘1818’.
b.
The bottom sketch represents part of a richly ornamented grave altar which today can be found in the collections of the Museo Pio-Clementino.3 The artist has numbered the object ‘1076’.
Cecilia Powell has identified the top sketch as an acroterion,1 from a tomb in the Galleria Lapidaria (Lapidary Gallery) of the Museo Chiaramonti.2 Generally designed to be placed at the apex of a pediment, an acroterion is an architectural ornament placed on a flat base, here in the form of a statue mounted within a decorative pedestal. Turner has numbered the object ‘1818’.
b.
The bottom sketch represents part of a richly ornamented grave altar which today can be found in the collections of the Museo Pio-Clementino.3 The artist has numbered the object ‘1076’.
Turner’s annotated numbers presumably relate to exhibit numbers displayed on the individual works. However, they do not appear to correspond to any known lists published within contemporary guide books or catalogues of the Vatican collections.
Nicola Moorby
November 2009
See Walther Amelung, Die Sculpturen des Vaticanischen Museums, Berlin 1903–8, vol.I, ‘2. Galleria Lapidaria Seite 161–308’, no.198, pp.301–2, reproduced pl.30.
How to cite
Nicola Moorby, ‘Studies of Sculptural Fragments and Reliefs from the Vatican Museums, Including an Acroterion from a Tomb and Part of a Grave Altar 1819 by Joseph Mallord William Turner’, catalogue entry, November 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www