Joseph Mallord William Turner Tantallon Castle and Bass Rock 1818
Joseph Mallord William Turner 1775–1851
Folio 6 Recto:
Tantallon Castle and Bass Rock 1818
D13594
Turner Bequest CLXVII 6
Turner Bequest CLXVII 6
Pencil on white wove paper, 112 x 186 mm
Inscribed in blue ink ‘6’
Stamped in black ‘CLXVII 6’ bottom right
Inscribed in blue ink ‘6’
Stamped in black ‘CLXVII 6’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.484, CLXVII, as ‘Tantallon Castle and Bass Rock.’.
1979
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.426 under cat.1067.
1983
Timothy Clifford, J.M.W. Turner: Aquarelles de la City Art Gallery, Manchester, exhibition catalogue, Musée des Beaux-Arts, Bordeaux 1983, p.38 under cat.10b.
1984
Timothy Clifford and Torsten Gunnarsson, J.M.W. Turner: Akvareller Målningar Grafik, exhibition catalogue, Nationalmuseum, Stockholm 1984, p.48 cat.22.
1985
Timothy Clifford and Shuji Yashiro, Turner at Manchester, exhibition catalogue, Odakyu Grand Gallery, Tokyo 1985, p.[48] cat.17.
1997
Charles Nugent and Melva Croal, Turner Watercolors from Manchester, exhibition catalogue, Memphis Brooks Museum of Art, Memphis 1997, p.64 under cat.36.
1997
Eric Shanes, Turner’s Watercolour Explorations 1810–1842, exhibition catalogue, Clore Gallery, Tate Gallery, London 1997, p.56 cat.35, p.92 note 1.
1999
Katrina Thomson, Turner and Sir Walter Scott: The Provincial Antiquities and Picturesque Scenery of Scotland, exhibition catalogue, National Gallery of Scotland, Edinburgh 1999, p.26 fig.6, cat.10.
Here is a view of Bass Rock from the shore, continued from folio 5 verso (D13593; CLXVII 5a) where the nearby Tantallon Castle is seen from across a bay to the west. Although it is drawn with great economy, there is a lot of detail in the depiction of Bass Rock, with its ancient fortifications clearly visible. Beyond the rock on the far side of the Firth of Forth is the coastline of Fife (evidently drawn by Turner before adding the island which overlaps with it). The cliff upon which he stood to make the sketch is shown in the foreground at the bottom of the page.
The double-page sketch is regarded as the basis of Turner’s watercolour, Tantallon Castle, 1821 (1821, Manchester City Galleries),1 made for the Provincial Antiquities. But while the sketch of the castle and rock were probably based on the current drawing, the vantage point is shifted to the rocks beneath the cliff where we now stand (see folios 8 verso and 9; D13598–D13599; CLXVII 8a–8b).
There is a small brown mark at the lower centre of the page.
Thomas Ardill
February 2008
How to cite
Thomas Ardill, ‘Tantallon Castle and Bass Rock 1818 by Joseph Mallord William Turner’, catalogue entry, February 2008, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www