Joseph Mallord William Turner A Sea Piece with a Breaking Wave c.1807-19
Joseph Mallord William Turner 1775–1851
A Sea Piece with a Breaking Wave circa 1807–19
D08090
Turner Bequest CXV 7
Turner Bequest CXV 7
Watercolour on white wove lightweight writing paper, 230 x 376 mm
Inscribed by John Ruskin in red ink ‘7’ bottom right
Blind-stamped with Turner Bequest monogram bottom right
Stamped in black ‘CXV 7’ bottom right
Inscribed by John Ruskin in red ink ‘7’ bottom right
Blind-stamped with Turner Bequest monogram bottom right
Stamped in black ‘CXV 7’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1964
Loan of Turner Watercolours from the British Museum, Graves Art Gallery, Sheffield, December 1964–January 1965, University of Nottingham Art Gallery, January–March 1965 (no catalogue).
1975
Turner in the British Museum: Drawings and Watercolours, Department of Prints and Drawings, British Museum, London, May 1975–February 1976 (40, as ‘A breaking wave’, reproduced p.42).
1976
J.M.W. Turner 1775–1851: Akvareller og Tegninger fra British Museum, Statens Museum for Kunst, Copenhagen, February–May 1976 (11).
1976
William Turner und die Landschaft seiner Zeit, Hamburger Kunsthalle, May–July 1976 (25 and 155, reproduced twice, and in colour, p.[70] Farbtafel VI).
1978
¿¿¿¿¿¿/(Turner), Shipka Gallery, Sofia, Bulgaria, April–?May 1978, Belgrade, Serbia [former Yugoslavia], May 1978, Muzeul de Arte al RS [Republica Socialista] Romania, Bucharest, June–July 1978(15).
1979
J.M.W. Turner: Sea, Sky and Sun: Watercolours from the Turner Bequest, Loaned by the British Museum, Tate Gallery, London, December 1979–July 1980 (no catalogue).
1981
¿¿.¿.G. ¿e¿¿e¿ (1775–1851)/J.M.W. Turner (1775–1851), National Pinakothiki, Athens, January–March 1981 (13, reproduced in colour p.78 as ‘A breaking wave’).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.314, CXV 7, as ‘Sea piece’, circa 1809–10.
1974
Gerald Wilkinson, The Sketches of Turner, R.A. 1802–20: Genius of the Romantic, London 1974, p.111, reproduced p.110 (colour).
1996
Gillian Forrester, Turner’s ‘Drawing Book’: The Liber Studiorum, exhibition catalogue, Tate Gallery, London 1996, p.24 note 81.
This study develops the composition established on the previous page of the Studies for Liber sketchbook (Tate D08089; Turner Bequest CXV 6), although there appears to have been no subsequent progression towards a finished Liber Studiorum design. A thin, greyish wash for the sky and sea has been left to dry, and then worked over with a brown wash over most of the sheet, with darker brown strokes emphasising the waves in the foreground, possibly breaking on a beach. The central area has been vigorously if inconclusively worked; it is unclear whether the wave is breaking in isolation, or against a rock or ship, but there is a sense of the ‘vortex’ characteristic of many of Turner’s marine compositions.
There are affinities with the techniques used in the ‘colour beginnings’ (mostly Turner Bequest CCLXIII) which Turner used to establish compositional masses and tones, and to some of the ‘Little Liber’ seascapes which appear to have evolved out of the Liber Studiorum in the 1820s (see general Liber introduction). The composition has also been compared1 to that of the painting Waves Breaking on a Lee Shore, of about 1835 (Tate N02882).2 In the absence of specific evidence, the span of the Liber Studiorum’s active publication, 1807–19, is given here as a date range for the present work (as it is for various other unpublished designs).
Technical notes:
The paper is from a batch watermarked ‘J Whatman | 1807’.1 This sheet was recorded by Finberg in 1909 as apparently still being in the sketchbook, but if so it was subsequently removed before the book was badly damaged by immersion in the basement of the Tate Gallery during the Thames flood of January 1928. His number, ‘7’, corresponds with the red ink folio numbers inscribed in the book by Ruskin.
Verso:
Blank, save for inscription.
Stamped in black ‘CXV 7’ bottom left
There are very faint offsets from the darkest washes of the composition originally bound as the next page in the sketchbook (Tate D08091; Turner Bequest CXV 8).
Matthew Imms
May 2006
How to cite
Matthew Imms, ‘A Sea Piece with a Breaking Wave c.1807–19 by Joseph Mallord William Turner’, catalogue entry, May 2006, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www