Joseph Mallord William Turner Verses and Other Notes (Inscriptions by Turner) c.1808-9
Joseph Mallord William Turner 1775–1851
Folio 4 Verso:
Verses and Other Notes (Inscriptions by Turner) circa 1808–9
D06728
Turner Bequest CII 4a
Turner Bequest CII 4a
Inscribed by Turner in pencil and ink (see main catalogue entry) on white wove paper, 115 x 76 mm
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.267, CII 4a, as ‘Draft lines of poetry’.
1969
John Gage, Colour in Turner: Poetry and Truth, London 1969, p.255 note 13.
1990
Andrew Wilton and Rosalind Mallord Turner, Painting and Poetry: Turner’s ‘Verse Book’ and his Work of 1804–1812, exhibition catalogue, Tate Gallery, London 1990, pp.135, 158.
1994
Maurice William Davies, ‘J.M.W. Turner’s Approach to Perspective in his Royal Academy Lectures of 1811’, unpublished Ph.D thesis, Courtauld Institute of Art, London 1994, p.287.
For the longer draft poems to which Turner’s verses belong, see Introduction to the sketchbook and note to folio 1 verso (D06722). Finberg did not transcribe the verses on this leaf, and the reading given here was first made by Rosalind Mallord Turner for the 1990 Tate exhibition:
The extended town far stretching East & West
Thy high raised smoke no prototype of Rest
Thy dim seen spires rais’d to Religion fair
Seen but at moments th[r]o that world of care
Where Vice & Virtue so commixing blends
Tho one retires while one distruction sends
Oer children's children whatever Low & Great
Debase or noble here together meet
To a concentrated focus hope together draws
The British Nation wealth the sovereign cause
Thy high raised smoke no prototype of Rest
Thy dim seen spires rais’d to Religion fair
Seen but at moments th[r]o that world of care
Where Vice & Virtue so commixing blends
Tho one retires while one distruction sends
Oer children's children whatever Low & Great
Debase or noble here together meet
To a concentrated focus hope together draws
The British Nation wealth the sovereign cause
Where burthen’d Thames, reflects the crowded sail,
Commercial care and busy toil prevail,
Whose murky veil aspiring to the skies;
Obscures thy beauty and thy form denies,
Save where thy spires pierce thro the doubtful air,
As gleams of hope amidst a world of care.
Commercial care and busy toil prevail,
Whose murky veil aspiring to the skies;
Obscures thy beauty and thy form denies,
Save where thy spires pierce thro the doubtful air,
As gleams of hope amidst a world of care.
London is a view of the Thames busy with shipping and towards the City with its many churches including St. Paul’s Cathedral, seen from Greenwich Park. Along with various sketches of Greenwich, the verses confirm the connection between sketchbook and picture. They offer a positive view of wealth and trade, in keeping with the larger poem drafted in the sketchbook for which they might form a conclusion. The version used for the picture is more ambivalent.
Below Turner’s verses are other notes in pencil:
Argastharchas by Aeschylus
Democratus Anaxagoras
Pietro Borgio
Ignazio ... Durer
Peruzzi Alberti
... Taylor
Democratus Anaxagoras
Pietro Borgio
Ignazio ... Durer
Peruzzi Alberti
... Taylor
This is a list of authors to be read in preparation for Turner’s lectures as Professor of Perspective at the Royal Academy; see Introduction to the sketchbook. As first observed by John Gage, the list is based on the ‘History of Perspective’ in Joseph Priestley’s History and Present State of Discoveries Relating to Vision, Light and Colours, 1771, vol.I, pp.91–2. Turner studied the perspective diagrams and theories of Albrecht Dürer, Leon Baptista Alberti and Dr Brook Taylor as well as ancient sources.2 Agatharchus, a painter from Samos, supposedly invented scenography in his stage designs for a tragedy by Aeschylus in the theatre at Athens, and was thought to have influenced the philosophers and geometers Democritus and Anaxagorus. Anaxagorus and Agatharchus are also mentioned, with other pioneers, in Turner’s Perspective and Lowther sketchbooks (Tate D07423; Turner Bequest CVIII 41 and Tate D07926; Turner Bequest CXIII 48a).
David Blayney Brown
March 2007
How to cite
David Blayney Brown, ‘Verses and Other Notes (Inscriptions by Turner) c.1808–9 by Joseph Mallord William Turner’, catalogue entry, March 2007, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www