Walter Richard Sickert A Still Life on a Kitchen Table, Envermeu c.1919–20
Walter Richard Sickert 1860–1942
A Still Life on a Kitchen Table, Envermeu c.1919–20
Ink on account book paper
330 x 208 mm
Tate Archive TGA 8120/3/46
Presented by Mrs Andrina Tritton in 1981, from the estate of her mother, Mrs Andrina Schweder, the sister of Walter Sickert's second wife Christine Drummond Angus (c.1877-1920)
© Estate of Walter R. Sickert / DACS
Walter Richard Sickert 1860–1942
A Still Life on a Kitchen Table, Envermeu c.1919–20
Ink on account book paper
330 x 208 mm
Tate Archive TGA 8120/3/46
Presented by Mrs Andrina Tritton in 1981, from the estate of her mother, Mrs Andrina Schweder, the sister of Walter Sickert's second wife Christine Drummond Angus (c.1877-1920)
© Estate of Walter R. Sickert / DACS
In his career Walter Sickert drew and painted very few still-life subjects. In 1919 and 1920, however, he undertook a series of still lifes at his home in Envermeu in northern France, including Roquefort c.1919–20 (Tate N03847). Sickert used an account book to draw this still-life, as he had done in A Café-Bar, Dieppe c.1914 (TGA 8120/3/1).
How to cite
Walter Richard Sickert, A Still Life on a Kitchen Table, Envermeu, c.1919-20, in Helena Bonett, Ysanne Holt, Jennifer Mundy (eds.), The Camden Town Group in Context, Tate Research Publication, May 2012, https://www