Joseph Mallord William Turner (a) Nepi and its Aqueduct; (b) The Monastery of St Bernard at Nepi, with Mount Soracte behind It; (c) Pinnacle of the Town Hall at Nepi c.1828-9
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Joseph Mallord William Turner, (a) Nepi and its Aqueduct; (b) The Monastery of St Bernard at Nepi, with Mount Soracte behind It; (c) Pinnacle of the Town Hall at Nepi c.1828-9
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Joseph Mallord William Turner, (a) Nepi and its Aqueduct; (b) The Monastery of St Bernard at Nepi, with Mount Soracte behind It; (c) Pinnacle of the Town Hall at Nepi c.1828-9 (Enhanced image)Enhanced image
Joseph Mallord William Turner,
(a) Nepi and its Aqueduct; (b) The Monastery of St Bernard at Nepi, with Mount Soracte behind It; (c) Pinnacle of the Town Hall at Nepi
c.1828-9
Folio 20 Recto:
Views of Nepi, with the Aqueduct and the Church of San Bernardo 1828
D21803
Turner Bequest CCXXXVI 20
Turner Bequest CCXXXVI 20
Pencil on white wove paper, 171 x 125 mm
Inscribed in blue ink by John Ruskin ‘20’ top left, ascending vertically, and ‘173’ top right, ascending vertically
Stamped in black ‘CCXXXVI 20’ top right, ascending vertically
Inscribed in blue ink by John Ruskin ‘20’ top left, ascending vertically, and ‘173’ top right, ascending vertically
Stamped in black ‘CCXXXVI 20’ top right, ascending vertically
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.724, CCXXXVI 20, as ‘Do. do.’ (i.e. ditto: ‘Town on hill, with viaduct.’).
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.300 note 14, 437.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.[138], 159, 206 note 11, 207 note 115.
1999
Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, pp.23, 252 note 39.
As outlined by Cecilia Powell, this page contains three distinct views of Nepi, executed with the sketchbook oriented vertically.1 The uppermost view is dominated by the town’s aqueduct, constructed between the sixteenth and early eighteenth centuries.2 In the background is the main part of the structure with a double tier of arches, followed by a single row in front. Turner’s viewpoint is from the northern perimeter of the town, looking west.
The view beneath was captured from a similar vantage point, with Turner instead looking east towards the Church of San Bernardo. Built in the fifteenth century, the church is annexed to the Monastery of Saint Bernardo, and stands on the eastern edge of the same volcanic promontory as the town, overlooking a ravine.3 The mountain range on the horizon is possibly Monte Soratte. The architectural detail towards the left is the ornate pinnacle of the Palazzo Comunale, the town hall. At the bottom of the page is a third study, inverted relative to the two views above. Its topography is too cursory to be conclusively identified, although the subject is likely Nepi and its surroundings. The stone pine outlined in the bottom-left corner continues onto folio 19 verso (D21802) opposite.
This is one of twenty-one works depicting Nepi in the present sketchbook; for further commentary on Turner’s second visit to the town in 1828 and a list of relevant works, see under folio 12 verso (D21788).
Hannah Kaspar
December 2024
‘The Aqueduct’, Museo Civico Nepi, accessed 31 July 2024, https://www.museociviconepi.it/en/monuments/the-aqueduct/ .
‘The Church of Saint Bernardo’, Museo Civico Nepi, accessed 31 July 2024, https://www.museociviconepi.it/en/monuments/the-church-of-saint-bernardo/ .
How to cite
Hannah Kaspar, ‘Views of Nepi, with the Aqueduct and the Church of San Bernardo 1828’, catalogue entry, December 2024, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, February 2025, https://www