Joseph Mallord William Turner The Duomo, Milan, to the South, from Via San Raffaele 1829
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Joseph Mallord William Turner,
The Duomo, Milan, to the South, from Via San Raffaele
1829
Folio 15 Recto:
The Duomo, Milan, to the South, from Via San Raffaele 1829
D21692
Turner Bequest CCXXXV 15
Turner Bequest CCXXXV 15
Pencil on cream wove paper, 144 x 90 mm
Inscribed in pencil by Turner ‘St R[?affaele]’ towards bottom centre
Inscribed in red ink ‘15’ bottom right (blurred), overwritten with black ink ‘15’
Stamped in black ink ‘CCXXXV – 15’ bottom right
Inscribed in pencil by Turner ‘St R[?affaele]’ towards bottom centre
Inscribed in red ink ‘15’ bottom right (blurred), overwritten with black ink ‘15’
Stamped in black ink ‘CCXXXV – 15’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.721, CCXXXV 15, as ‘Street at Milan, with Cathedral. – “St. Rannule” (?) (? Via Raffaele)’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, p.343 note 180.
Turner noted inside the front cover of this sketchbook (D41050) that he arrived in Milan at noon on a Wednesday (14 January), complaining of ‘Snow all the way’. This is one of ten works in the sketchbook depicting the city’s famous Duomo, formally known as the Basilica cattedrale metropolitana di Santa Maria Nascente. See under folio 10 verso (D21683) for further commentary and a list of relevant views from this sketchbook and Turner’s earlier visit to Milan in 1819.
As suggested by Finberg in his 1909 Inventory of the Bequest, Turner’s lower inscription possibly reads ‘St Raffaele’, placing him along the Via San Raffaele, which branches off the Piazza del Duomo to the north.1 Looking south, Turner glimpsed the northern side of the cathedral between the buildings, retaining the sketchbook’s upright position to emphasise the verticality of the composition. Visible in the top-left corner is the tall lantern spire, an addition to the cathedral from the 1760s.2 Surmounting it is a gold statue of the Virgin Mary, known as Madonnina. The building with the elaborate pediments to the left has since been demolished and replaced with a department store.
Hannah Kaspar
November 2024
‘The Madonnina’, Duomo di Milano, accessed 5 September 2024 https://www.duomomilano.it/en/art-and-culture/the-madonnina/ .
How to cite
Hannah Kaspar, ‘The Duomo, Milan, to the South, from Via San Raffaele 1829’, catalogue entry, November 2024, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, February 2025, https://www