J.M.W. Turner: Sketchbooks, Drawings and Watercolours

ISBN 978-1-84976-386-8

Joseph Mallord William Turner A Church, with Campanile 1828-9

Folio 4 Recto:
The Basilica Cathedral of Vergine Assunta, Lodi, from the Piazza Maggiore 1829
D21670
Turner Bequest CCXXXV 4
Pencil on cream wove paper, 90 x 144 mm
Inscribed in pencil by Turner ‘2 [?Cor]’ towards bottom left
Inscribed in red ink ‘4’ bottom left, descending vertically
Stamped in black ink ‘CCXXXV – 4’ bottom left, descending vertically
 
Accepted by the nation as part of the Turner Bequest 1856
Turner passed through Lodi in the second week of January 1829, as he travelled north-west towards Milan. The subject of this study is the twelfth-century cathedral in central Lodi, known as the Basilica Cathedral of Vergine Assunta. Swiftly outlined is the cathedral’s Romanesque façade with a central rose window, a Gothic arched entrance, and a belltower with a clock to the right, a later addition from the mid sixteenth century. Turner’s vantage point was from the present-day Piazza della Vittoria, formerly known as the Piazza Maggiore, looking north-east towards the cathedral. Either side of the cathedral are further arcaded buildings around the square. A variant study of the same subject appears on folio 6 recto (D21674).

Hannah Kaspar
November 2024

How to cite

Hannah Kaspar, ‘The Basilica Cathedral of Vergine Assunta, Lodi, from the Piazza Maggiore 1829’, catalogue entry, November 2024, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, February 2025, https://www.tate.org.uk/art/research-publications/jmw-turner/the-basilica-cathedral-of-vergine-assunta-lodi-from-the-piazza-maggiore-r1210311, accessed 17 April 2025.