Joseph Mallord William Turner Windsor Castle across the River Thames from the Brocas Meadows c.1827
Joseph Mallord William Turner 1775–1851
Folio 2 Verso:
Windsor Castle across the River Thames from the Brocas Meadows c.1827
D20560
Turner Bequest CCXXV 2a
Turner Bequest CCXXV 2a
Pencil on white wove paper, 116 x 222 mm
Part watermark ‘Whatman | rkey Mills | 1819’
Part watermark ‘Whatman | rkey Mills | 1819’
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.694, CCXXV 2a. (as ‘Do. do.’, i.e. ditto; ‘Windsor Castle from the river’; as for folio 1 recto, D20558), ‘See Water Colour, engraved by W. Miller, and published in “England and Wales” series, 1831’.
1979
Eric Shanes, Turner’s Picturesque Views in England and Wales 1825–1838, London 1979, p.156.
1998
Kim Sloan, J.M.W. Turner: Watercolours from the R.W. Lloyd Bequest in the British Museum, London 1998, p.98 under no.30.
Turner’s viewpoint is the Brocas meadows on the north side of the River Thames, looking south-east across to Windsor Castle, with the tower and prominent pinnacles of St John the Baptist’s Church to the right, built only a few years before in 1820–2 to replace a sprawling medieval church on the same site.1 The sketch is one of a sequence with folio 1 recto, the recto of this leaf and folio 3 recto (D20558–D20559, D20561). For later changes to the landscape, see under D20558, and for similar drawings in the Windsor and Cowes, Isle of Wight sketchbook (Tate; Turner Bequest CCXXVI), see the Introduction to the present book.
Eric Shanes has noted this drawing among those listed above in relation to the watercolour Windsor Castle of about 1828–9 (British Museum, London),2 engraved in 1831 for Turner’s Picturesque Views in England and Wales (Tate impressions: T05086, T06093); all show similar but not identical permutations of the castle, river and trees in the subsequent design. Kim Sloan mentions this sketch and the recto (D20559) in particular.3 The alignment of the trees with the castle here matches that in the watercolour, albeit in the latter the silhouette of the building is elevated well above the treetops.
Contemporary with Turner’s sketch, an 1827 watercolour by William Daniell (1769–1837), Windsor Castle from near Brocas Meadows (Yale Center for British Art, New Haven), aquatinted for the series Select Views of Windsor Castle and the Adjacent Scenery, shows the same view from a slightly different angle, including the bridges and the stand of trees with one isolated to its left, as shown by Turner.
Matthew Imms
August 2014
See ‘Windsor Parish Church’, The Royal Windsor Website, accessed 5 March 2014, http://www.thamesweb.co.uk/parishchurch/parishchrch.html .
How to cite
Matthew Imms, ‘Windsor Castle across the River Thames from the Brocas Meadows c.1827 by Joseph Mallord William Turner’, catalogue entry, August 2014, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, April 2015, https://www