Joseph Mallord William Turner Views in and near 'Dieppe'; Also Various Figures 1821
Joseph Mallord William Turner 1775–1851
Folio 5 Recto:
Views in and near ‘Dieppe’; Also Various Figures 1821
D24508
Turner Bequest CCLVIII 5
Turner Bequest CCLVIII 5
Pencil on white wove paper, 123 x 118 mm
Inscribed in pencil by Turner ‘St B[...]’ and ‘N Dieppe’ beneath the top sketch, ‘Dieppe’ at the bottom right of the middle sketch, ‘P’, ‘B’, ‘Red’, ‘B’, ‘P’, ‘B’, ‘grey’ next to various figures in the top row, and ‘Red Blue | [...] to the right of the bottom row of figure
Inscribed in red ink by John Ruskin ‘5’ top right running vertically
Stamped in black ‘CCLVIII – 5’ top right running vertically
Inscribed in pencil by Turner ‘St B[...]’ and ‘N Dieppe’ beneath the top sketch, ‘Dieppe’ at the bottom right of the middle sketch, ‘P’, ‘B’, ‘Red’, ‘B’, ‘P’, ‘B’, ‘grey’ next to various figures in the top row, and ‘Red Blue | [...] to the right of the bottom row of figure
Inscribed in red ink by John Ruskin ‘5’ top right running vertically
Stamped in black ‘CCLVIII – 5’ top right running vertically
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.786, CCLVIII 5, as ‘Views in and near “Dieppe”; also various figures.’.
1981
Maurice Guillaud, Nicholas Alfrey, Andrew Wilton and others, Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, p.151 fig.250 as ‘Dieppe’.
1999
Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, pp.25, 253 note 48.
Ian Warrell has identified the sketch at the top of the page as a view along the coast from Dieppe.1 It is possible that the first inscription beneath the subject refers to Bracquemont, a commune one mile to the east of Dieppe along the coast, in which case the letter before the second inscription may be ‘n’, meaning: near Dieppe. The harbour of Dieppe is depicted in the second sketch with various groupings of figures scattered around. At the bottom of the page are eleven figure studies. Turner has paid attention to the regional dress of Normandy, especially of women and soldiers. Many of the figures are engaged in activities: a woman laying a cloth on the ground, a figure with a cat under her left arm, a woman carrying a basket on her back, and another carrying a large vessel or bundle. Colours, or the letters ‘P’ (pink or purple) and ‘B’ (black or blue), are inscribed next to particular items of clothing. Many of Turner’s sketches of Dieppe harbour include figures, and there are figure studies scattered throughout the sketchbook.
For references to Turner’s other sketches of Dieppe made on this tour, see folio 1 verso (D24501; Turner Bequest CCLVIII 1v).
Thomas Ardill
February 2013
How to cite
Thomas Ardill, ‘Views in and near ‘Dieppe’; Also Various Figures 1821 by Joseph Mallord William Turner’, catalogue entry, February 2013, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, August 2014, https://www