Joseph Mallord William Turner The West Front of Rouen Cathedral 1821
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Joseph Mallord William Turner,
The West Front of Rouen Cathedral
1821
Joseph Mallord William Turner 1775–1851
Folio 22 Recto:
The West Front of Rouen Cathedral 1821
D24541
Turner Bequest CCLVIII 22
Turner Bequest CCLVIII 22
Pencil on white wove paper, 118 x 123 mm
Inscribed in red ink by John Ruskin ‘22’ bottom right
Stamped in black ‘CCLVIII – 22’ bottom right
Inscribed in red ink by John Ruskin ‘22’ bottom right
Stamped in black ‘CCLVIII – 22’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1988
Turner & Architecture, Tate Gallery, London, March–July 1988 (55).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.787, CCLVIII 22, as ‘Façade, Rouen Cathedral.’.
1959
Kenneth Clark, Michel Florisoone, Geoffrey Grigson and others, The Romantic Movement: Fifth Exhibition to Celebrate the Tenth Anniversary of the Council of Europe, exhibition catalogue, Tate Gallery and Arts Council Gallery, London 1959, p.266 under no.446.
1972
Kenneth Clark, Michael Kitson, John Gage and others, La Peinture romantique anglaise et les Préraphaélites, exhibition catalogue, Petit Palais, Paris 1972, p.[197] under no.297.
1974
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, p.120 under no.414.
1975
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, p.120 under no.192.
1979
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.414 under no.965.
1981
Maurice Guillaud, Nicholas Alfrey, Andrew Wilton and others, Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, p.157 fig.270.
1988
Ian Warrell and Diane Perkins, Turner & Architecture, exhibition catalogue, Tate Gallery, London 1988, p.21 no.55.
1992
Anne Lyles, Turner: The Fifth Decade: Watercolours 1830–1840, exhibition catalogue, Tate Gallery, London 1992, p.60 under 29.
1999
Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, pp.181, 182 fig.157, 184, 275 under no.131.
2007
Ian Warrell (ed.), Franklin Kelly and others, J.M.W. Turner, exhibition catalogue, National Gallery of Art, Washington 2007, p.143 under no.100.
This detailed architectural study of the west front of Rouen Cathedral was the basis of a watercolour and gouache design of Rouen Cathedral c.1832 (Tate D24674; Turner Bequest CCLIX 109) for Turner’s Annual Tour: Wanderings by the Seine 1834 (Tate T06238). When he stood at the opening to the Rue du Petite-Salut opposite the west end of the cathedral to make this sketch, Turner was not able to encompass the height of the building into the landscape format of the sketch. He therefore continued the study by drawing the towers on folio 11 (Tate D24520; Turner Bequest CCLVIII 11).
His approach in this sketch has been described as ‘reminiscent of the elegant style of Turner’s adolescent architectural studies’.1 The composition, with its enclosed vista has also been likened to the contemporary style of Samuel Prout (1783–1852),2 and Ian Warrell has placed the sketch in the context of other contemporary topographical drawings and engravings of the cathedral.3
For a list of Turner’s sketches of Rouen in this book, see folio 1 (Tate D24500; Turner Bequest CCLVIII 1).
Thomas Ardill
February 2013
How to cite
Thomas Ardill, ‘The West Front of Rouen Cathedral 1821 by Joseph Mallord William Turner’, catalogue entry, February 2013, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, August 2014, https://www