Joseph Mallord William Turner The Sun Rising over the Sea c.1820-40
Joseph Mallord William Turner 1775–1851
The Sun Rising over the Sea c.1820–40
D25190
Turner Bequest CCLXIII 68
Turner Bequest CCLXIII 68
Watercolour on white wove paper, 298 x 391 mm
Watermark ‘J Whatman | Turkey Mills | 1819’
Blind-stamped with Turner Bequest monogram towards bottom right
Inscribed in red ink ‘68’ bottom right (faint)
Stamped in black ‘CCLXIII – 68’ bottom right
Watermark ‘J Whatman | Turkey Mills | 1819’
Blind-stamped with Turner Bequest monogram towards bottom right
Inscribed in red ink ‘68’ bottom right (faint)
Stamped in black ‘CCLXIII – 68’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1964
Loan of Turner Watercolours from the British Museum, Graves Art Gallery, Sheffield, December 1964–January 1965, University of Nottingham Art Gallery January–March(no catalogue).
1966
Turner: Imagination and Reality, Museum of Modern Art, New York, March–May [June] 1966 (46, reproduced, as ‘Sunrise at Sea’, after 1820).
1977
Turner Watercolors: An Exhibition of Works Loaned by The Trustees of the British Museum, International Exhibitions Foundation tour, Cleveland Museum of Art, September–November 1977, Detroit Institute of Arts, December 1977–February 1978, Philadelphia Museum of Art, March–April (17, reproduced, as ‘Sunset Sky over the Sea’, c.1825).
1979
J.M.W. Turner: Sea, Sky and Sun: Watercolours from the Turner Bequest, Loaned by the British Museum, Tate Gallery, London, December 1979–July 1980 (no catalogue).
1982
Turner and the Sea: Watercolours from the Turner Bequest, Loaned by the British Museum, Tate Gallery, London, January–June 1982 (no catalogue).
1998
Turner and the Scientists, Tate Gallery, London, March–June 1998 (50, as ‘Small High Cloud Catching the Sunset (Sunset at Sea)’, 1830s, reproduced in colour).
2003
Happiness: A Survival Guide for Art + Life, Mori Arts Centre, Tokyo, October 2003–January 2004 (104, as ‘Sunrise at Sea’, c.1820–30, reproduced in colour).
2005
Turner: The Sea, Clore Gallery, Tate Britain, London, March–October 2005, Tate Liverpool, November 2005–May 2006 (no catalogue).
2009
Turner / Rothko, Tate Britain, London, March–July 2009 (no catalogue).
References
1820
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.819, CCLXIII 68, as ‘Sunrise at sea’, c.1820–30.
1825
Martin Butlin, Aquarelle aus dem Turner-Nachlass: Les aquarelles du Legs Turner: Watercolours from the Turner Bequest 1819–1845, London 1968, pl.6 (colour, as ‘Sunrise at Sea’, c.1825–30).
1975
Gerald Wilkinson, Turner’s Colour Sketches 1820–34, London 1975, reproduced in colour p.151, among ‘Sunrise and sunset’ subjects.
1825
Andrew Wilton, Turner Watercolors: An Exhibition of Works Loaned by The Trustees of the British Museum, exhibition catalogue, Cleveland Museum of Art 1977, p.36 no.17, reproduced, as ‘Sunset Sky over the Sea’, c.1825.
1997
Eric Shanes, Turner’s Watercolour Explorations 1810–1842, exhibition catalogue, Tate Gallery, London 1997, pp.94, Appendix I, under ‘Diffused Seascapes and Skies’, 101, under ‘Sea Sketches and Studies’, 102, under ‘Sky Sketches’.
1820
Sam Smiles, J.M.W. Turner: The Making of a Modern Artist, Manchester and New York 2007, fig.6.3, as ‘Sunrise at Sea’, 1820–30.
The paleness of the sky suggests this is a sunrise, as Finberg described it,1 although Andrew Wilton has called it a sunset.2 The sun and its reflection on the water were left reserved as blank paper for maximum luminosity. Wilton has related the study to ‘Turner’s work on ... “Little Liber Studiorum”; but it is extremely difficult to say with any certainty when such drawings were made. ... Whether they were actually noted down from nature is almost impossible to ascertain; it is more likely that Turner made them in a sequence, within a very short space of time’3 See the ‘Little Liber c.1823–6’ section of this catalogue, and particularly Study of Sea and Sky (Tate D25479; Turner Bequest CCLXIII 356).
For other ‘colour beginnings’ focusing on a centrally placed sun, see the Introduction to this subsection. See also another study with high, highly coloured clouds laid in ‘wet-in-wet’, Tate D25259 (Turner Bequest CCLXIII 137).
Verso:
Blank; no inscriptions.
Matthew Imms
March 2016
How to cite
Matthew Imms, ‘The Sun Rising over the Sea c.1820–40 by Joseph Mallord William Turner’, catalogue entry, March 2016, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2016, https://www