Joseph Mallord William Turner The Porta Pia and Lazzaretto, Ancona 1819
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Joseph Mallord William Turner,
The Porta Pia and Lazzaretto, Ancona
1819
Joseph Mallord William Turner 1775–1851
Folio 75 Recto:
The Porta Pia and Lazzaretto, Ancona 1819
D14625
Turner Bequest CLXXVI 71
Turner Bequest CLXXVI 71
Pencil on white wove paper, 111 x 184 mm
Inscribed by John Ruskin in red ink ‘71’ bottom right (now faint)
Stamped in black ‘CLXXVI – 71’ bottom right
Inscribed by John Ruskin in red ink ‘71’ bottom right (now faint)
Stamped in black ‘CLXXVI – 71’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.519, CLXXVI 71, as ‘Triumphal arch on pier at Ancona’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.92, 407, as ‘Porta Pia, Ancona’, p.466 note 109.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.25, 202 note 45.
1997
James Hamilton, Turner: A Life, London 1997, pp.198, 325 note 13.
The Turner scholar C.F. Bell extended Finberg’s 1909 Inventory entry (‘Triumphal arch on pier at Ancona’): ‘of Clement XII’.1 In fact, while that smaller arch north of the harbour is shown on folio 69 verso (D14514; Turner Bequest CLXXVI 65a) and other pages, the most prominent subject here is rather the Baroque Porta Pia, as Cecilia Powell recognised,2 on the south-eastern side at the corner of the Banchina on what is now the Via XXIX Settembre.
The viewpoint is near the modern roundabout where it meets the Via Guglielmo Marconi, looking north-west along the turreted outer wall of the Lazzaretto to its rusticated gateway on the left. The complex is shown linked to the mainland by a bridge (since replaced by a more substantial one), with the Porta Pia to the north-north-west; the fortifications immediately adjoining it do not survive. Lightly outlined at the centre is the substantial lighthouse which once stood in the distance on the north side of the harbour, as shown more clearly in other views.
Matthew Imms
March 2017
How to cite
Matthew Imms, ‘The Porta Pia and Lazzaretto, Ancona 1819 by Joseph Mallord William Turner’, catalogue entry, March 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, July 2017, https://www