Joseph Mallord William Turner The Piazza Malpighi, Bologna, with the Basilica and Campanile of San Francesco 1819
Joseph Mallord William Turner 1775–1851
Folio 35 Recto:
The Piazza Malpighi, Bologna, with the Basilica and Campanile of San Francesco 1819
D14550
Turner Bequest CLXXVI 31
Turner Bequest CLXXVI 31
Pencil on white wove paper, 111 x 184 mm
Inscribed by Turner in pencil ‘13 [?arch] and the [?Corner]’ centre right, on arcade
Inscribed by John Ruskin in red ink ‘31’ bottom right (now faint)
Stamped in black ‘CLXXVI – 31’ bottom right
Inscribed by Turner in pencil ‘13 [?arch] and the [?Corner]’ centre right, on arcade
Inscribed by John Ruskin in red ink ‘31’ bottom right (now faint)
Stamped in black ‘CLXXVI – 31’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.517, CLXXVI 31, as ‘Street scene, with Campanile of S. Francesco on the right’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.92, 466 note 110.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.25, 202 note 46.
2008
James Hamilton, ‘Turner e l’Italia’ in Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, pp.43, 90 note 22, as a Bologna subject.
2009
James Hamilton, ‘Turner’s Route to Rome’ in Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, pp.42, 150 note 22, as a Bologna subject.
The Turner scholar C.F. Bell annotated Finberg’s 1909 Inventory entry (‘Street scene, with Campanile of S. Francesco on the right’): ‘Piazza Malpighi looking South’.1 The viewpoint is towards the north end of the piazza, looking south-west. Above to the right are the heavy buttresses of the apsidal east end of the church of San Francesco; oddly, Turner has omitted the slimmer bell tower attached directly to the south transept of the church which should be visible just to the right of the substantial campanile he does show.
The low arcade in the right foreground does not survive; three free-standing Gothic pyramidal Glossatori tombs can now be seen there among the tall poplars which now partly obscure the church. The arcaded range at the centre has been altered or rebuilt, and now lacks an arched portico. Far beyond the brick and stone Ionic column supporting a statue of the Immaculate Conception is the Neo-Classical Villa Aldini on the crest of the hill, aligned with the Via Nosadella.
For Cecilia Powell’s general comments on Turner’s views of Bologna from outside the city’s centre (folios 32 verso–39 recto; D14545–D14558; Turner Bequest CLXXVI 28a–35), see under D14545;2 for general remarks on Bologna and Turner’s numerous views on adjacent pages, see under folio 24 recto (D14532).
Matthew Imms
March 2017
How to cite
Matthew Imms, ‘The Piazza Malpighi, Bologna, with the Basilica and Campanile of San Francesco 1819 by Joseph Mallord William Turner’, catalogue entry, March 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, July 2017, https://www