Joseph Mallord William Turner The Medway c.1824
Joseph Mallord William Turner 1775–1851
The Medway c.1824
D18149
Turner Bequest CCVIII P
Turner Bequest CCVIII P
Pencil and watercolour on paper 157 x 218 mm
Watermark J Whatman | Turkey Mill
Blind-stamped with Turner Bequest monogram, bottom right
Watermark J Whatman | Turkey Mill
Blind-stamped with Turner Bequest monogram, bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1904
National Gallery, London, various dates to at least 1904 (376).
1965
[Display of Watercolours from the Turner Bequest], Tate Gallery, London, [?]–?March 1965 (no catalogue, The Medway).
1974
Turner 1775–1851, Royal Academy, London, November 1974–March 1975 (242).
1978
¿¿¿¿¿¿, Shipka Gallery, Sofia, Bulgaria, April[–?May] 1978, Belgrade, Serbia [former Yugoslavia], May 1978, Muzeul de Arte al RS [Republica Socialista] Romania, Bucharest, June–July 1978 (24, as ‘‘CCVIII–¿’).
1981
J.M.W. Turner (1775–1851) / ¿¿.¿.G. ¿e¿¿e¿ (1775–1851), National Pinakothiki, Athens, January–March 1981 (22).
1983
J.M.W. Turner, à l’occasion du cinquantième anniversaire du British Council, Galeries nationales du Grand Palais, Paris, October 1983–January 1984 (154 reproduced).
1987
Watercolours from the Turner Bequest, Tate Gallery, London, April–October 1987 (no catalogue).
1989
[?] Turner & the Coast of Kent, Canterbury Festival, Canterbury City Museums, October 1989 (no catalogue entries or list of works).
1995
Sketching the Sky: Watercolours from the Turner Bequest, Tate Gallery, London, September 1995–February 1996 (no catalogue numbers, p.2).
1999
Turner’s Later Papers: A Study of the Manufacture, Selection and Use of his Drawing Papers 1820–1851, Tate Gallery, London, March–June 1999 (14, reproduced in colour, p.65, with ‘transmitted light image of the watermark’, 14A; and ‘micrograph’ detail 14B).
2008
Tëp¿ep [Turner] (1775–1851), Pushkin Museum of Art, Moscow, November 2008–February 2009 (50).
2009
Turner from the Tate Collection, National Art Museum of China, Beijing, April–July 2009 (50).
References
1904
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, p.626, no.376, as ‘The Medway’.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.630, CCVIII P, as ‘The Medway’.
1979
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, pp.386 no.749, 388–9 no.765 (reproduced).
1990
Eric Shanes, Turner’s England 1810–38, London 1990, p.118, no.93 (colour).
1999
Peter Bower, Turner’s Later Papers: A Study of the Manufacture, Selection and Use of his Drawing Papers 1820–1851, exhibition catalogue, Tate Gallery, London 1999, p.42 no.14 with ‘transmitted light image of the watermark’, 14A; and ‘micrograph’ detail 14B; reproduced in colour, p.65.
Though not engraved, this watercolour drawing is believed to have been made ‘almost certainly’ for the Rivers of England series.1 A modified version of this design was made in mezzotint for the Little Liber series. The hulks are likely ships ‘laid up “in ordinary” (i.e. with their sails, rigging, guns and re-usable parts removed)’.2 In the foreground a yawl and bumboat carry a marine officer, sailors, women, children and their luggage. Rays of warm summer sun project onto this group and produce shimmering reflections in the water. The inverted trapezoid shapes of the sails, alternately cast in light and shade, and the stolid angular forms of the ships behind them offset the arc of a rainbow and the amorphous, mushrooming puffs of cumuli.
As with all the drawings in this series, the colouring is rich and complex, comprised of layered stipples and hatches of complementary and contrasting tones to achieve a striking prismatic effect.
This watercolour was included in the 1999 exhibition on Turner’s Later Papers. The curator Peter Bower chose this drawing because ‘the river pictured, the Medway, together with its tributaries such as the Len, the Loose and the East Malling Stream, was the river that had powered and, in some cases provided the water for, so many of the paper mills that produced the papers that Turner used throughout his career’, including the type upon which this watercolour is drawn: Hollingworth’s white wove Whatman paper.3
What is believed to be a preparatory colour sketch for this design exists in a private collection.4 For other sketches and studies of the river Medway see the Medway sketchbook of 1820 (Tate D17365–D17507; Turner Bequest CXCIX 1–90a) and the Folkestone sketchbook of about 1821 (Tate D17342–D17346, D17350; Turner Bequest CXCVIII 79a–81a, 83a).
Verso:
Stamped in black with Turner Bequest monogram at centre and with ‘CCVIII P’ at centre towards top; inscribed in pencil ‘37’ at centre towards left and ‘P’ towards bottom left of sheet.
Alice Rylance-Watson
March 2013
How to cite
Alice Rylance-Watson, ‘The Medway c.1824 by Joseph Mallord William Turner’, catalogue entry, March 2013, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, August 2014, https://www