Joseph Mallord William Turner The Crook of Lune, and Part of a Panorama of the Kent Estuary from Near Milnthorpe 1816
Joseph Mallord William Turner 1775–1851
Folio 35 Verso:
The Crook of Lune, and Part of a Panorama of the Kent Estuary from Near Milnthorpe 1816
D11499
Turner Bequest CXLVII 35a
Turner Bequest CXLVII 35a
Pencil on white wove paper, 125 x 206 mm
Inscribed by Turner in pencil ‘G’ centre, and ‘Corn | Road with Walls’ bottom right
Inscribed by Turner in pencil ‘G’ centre, and ‘Corn | Road with Walls’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
2008
Paths to Fame: Turner Watercolours from The Courtauld Collection, Wordsworth Trust, Grasmere, July–October 2008, Courtauld Gallery, London, October 2008–January 2009 (ex catalogue).
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.425, CXLVII 35a, as ‘River among hills, with distant view of “Milnthorpe.”’.
1984
David Hill, In Turner’s Footsteps: Through the Hills and Dales of Northern England, London 1984, pp.31 as ‘The Crook of Lune’, 88, 89 reproduced, 90, 107, 127.
1998
Richard P. Townsend, Andrew Wilton, David Blayney Brown and others, J.M.W. Turner: “That Greatest of Landscape Painters”: Watercolors from London Museums, exhibition catalogue, Philbrook Museum of Art, Tulsa 1998, p.102, no.15 (as CXLVIII 35).
2003
James Hamilton, Turner’s Britain, exhibition catalogue, Gas Hall, Birmingham Museums & Art Gallery 2003, p.116 reproduced.
2009
Joanna Selborne, Andrew Wilton and Cecilia Powell, Paths to Fame: Turner Watercolours from The Courtauld Collection, exhibition catalogue, Wordsworth Trust, Grasmere 2008 and Courtauld Institute, London, 2009, pp.114, 116 reproduced, no.22.
The Crook of Lune is an exaggerated loop in the River Lune near Caton about three miles north-east of Lancaster. It was a particularly popular viewpoint after a description of it by the poet Thomas Gray was included in most contemporary guidebooks to the area.1 Turner’s sketch is taken from above a stone quarry on the road from Lancaster to Hornby, looking north-east over the Crook to Caton Bridge with Brookhouse Church in the middle distance far right and Hornby Castle in the centre distance, with the whole view closed by Ingleborough in the far distance, right. A few lines of the sketch are continued to the right on folio 36 recto opposite (D11500). The sketch formed the basis of a watercolour study (Tate D17199; Turner Bequest CXCVII I) and via that a finished watercolour, The Crook of Lune, Looking towards Hornby Castle (Courtauld Galleries, London)2 engraved for Thomas Dunham Whitaker’s History of Richmondshire, part of the projected seven-volume General History of the County of York (see Introduction to the sketchbook), and published in 1821. Sadly, the view is now hidden by trees, but the site is still frequented, being occupied by a popular caravan park.
The lifting tripod in the foreground, right, is part of the quarrying activity then on the site. Possibly the same tripod is recorded in a detail sketch in the Yorkshire 2 sketchbook (Tate D40845; Turner Bequest CXLV inside back cover), which accompanied Turner on the same tour. The same sketchbook contains other related sketches (Tate D11146–D11147; Turner Bequest CXLV 71a–72).
At the top right is part of the panorama of the Kent Estuary from near Milnthorpe, continued from D11500.
David Hill
February 2009
How to cite
David Hill, ‘The Crook of Lune, and Part of a Panorama of the Kent Estuary from Near Milnthorpe 1816 by Joseph Mallord William Turner’, catalogue entry, February 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2013, https://www