Joseph Mallord William Turner Study for 'Rokeby' 1822
Joseph Mallord William Turner 1775–1851
Study for ‘Rokeby’ 1822
D25408
Turner Bequest CCLXIII 285
Turner Bequest CCLXIII 285
Watercolour on paper, 243 x 173 mm
Blind-stamped with Turner Bequest monogram towards bottom right
Stamped in black ‘CCLXIII – 285’ bottom left, descending vertically
Blind-stamped with Turner Bequest monogram towards bottom right
Stamped in black ‘CCLXIII – 285’ bottom left, descending vertically
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1997
Turner’s Watercolour Explorations 1810–1842, Tate Gallery, London, February–June 1997, Southampton City Art Gallery, June–September (77, as ‘Study for “Rokeby”’, 1822, reproduced in colour).
2006
Joseph Mallord William Turner: Tours of Durham and Richmondshire, Bowes Museum, Barnard Castle, January–May 2006 (no number, as ‘Study for “Rokeby”’, 1822, reproduced in colour).
2007
Turner Hugo Moreau: Entdeckung der Abstraktion, Schirn Kunsthalle, Frankfurt, October 2007–January 2008 (78, as ‘Studie für “Rokeby”’, 1822, reproduced in colour).
2013
Rokeby: Poetry and Landscape: Walter Scott and Turner in Teesdale, Bowes Museum, Barnard Castle, January–April 2013 (no number, as ‘Study for “Rokeby”’, 1822, reproduced in colour).
2015
Risk, Turner Contemporary, Margate, October 2015–January 2016 (no catalogue found).
2016
Joachim Koester: The Other Side of the Sky, Turner Contemporary, Margate, February–May 2016 (no catalogue found).
References
1820
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.836, CCLXIII 285, as ‘A mountain pool’, c.1820–30.
1997
Eric Shanes, Turner’s Watercolour Explorations 1810–1842, exhibition catalogue, Tate Gallery, London 1997, pp.16–17, 30, 84–6 no.77, as ‘Study for “Rokeby”’, 1822, reproduced in colour p.85, 97 Appendix I ‘Fawkes’, 99 Appendix I ‘Literary and Book Illustrations’,101 Appendix I ‘Rokeby Illustration’.
2006
Emma House, Michael Rudd and Paul Clark, Joseph Mallord William Turner: Tours of Durham and Richmondshire, exhibition catalogue, Bowes Museum, Barnard Castle 2006, p.12, pl.39 (colour), as ‘Study for “Rokeby”’, 1822.
2002
Evelyn Joll in Joll and others, Cecil Higgins Art Gallery: Watercolours and Drawings, Bedford 2002, p.272.
2007
Max Hollein and Raphael Rosenberg, Turner Hugo Moreau: Entdeckung der Abstraktion, exhibition catalogue, Schirn Kunsthalle, Frankfurt 2007, reproduced in colour p.141, p.336 no.78, as ‘Studie für “Rokeby”’, 1822.
2013
Emma House in House, Michael Rudd and Tony Seward, Rokeby: Poetry and Landscape: Walter Scott and Turner in Teesdale, exhibition catalogue, Bowes Museum, Barnard Castle 2013, p.31.
This is one of four loose ‘colour beginnings’ related to the 1822 watercolour Rokeby (The Higgins, Bedford),1 showing a rocky, wooded ravine on the River Greta (see also Tate D25371, D25409 and D25411; Turner Bequest CCLXIII 249, 286, 288). This connection was established by Eric Shanes;2 see under D25371 for discussion of the circumstances, subject and composition of the finished design.
The present variation gives more prominence to the rock face occupying the left-hand side, whereas the completed composition shows a path winding round the base, and a sheer, sunlit cliff on the opposite side, left blank at the top right here. The sense of sunlight ‘filtering down from the left’ would be retained.3
Verso:
Blank; there is some mottled brown and grey watercolour offsetting, possibly from one of the related studies. Inscribed by ?John Ruskin in pencil ‘AB 219 P | O’ bottom left, descending vertically; inscribed in pencil ‘69a’ towards bottom centre, descending vertically; inscribed in pencil ‘CCLXIII | 285’ towards bottom left, descending vertically; stamped in black with Turner Bequest monogram over ‘CCLXIII – 285’ towards top left, descending vertically; inscribed in pencil ‘D 25408; top left, descending vertically.
Matthew Imms
September 2016
How to cite
Matthew Imms, ‘Study for ‘Rokeby’ 1822 by Joseph Mallord William Turner’, catalogue entry, September 2016, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2016, https://www