Joseph Mallord William Turner Spoleto, from the Road to Rome, with San Pietro on the Right 1819
Joseph Mallord William Turner 1775–1851
Folio 43 Recto:
Spoleto, from the Road to Rome, with San Pietro on the Right 1819
D14736
Turner Bequest CLXXVII 43
Turner Bequest CLXXVII 43
Pencil on white wove paper, 110 x 186 mm
Inscribed by the artist in pencil ‘olive’ bottom right
Inscribed by John Ruskin in red ink ‘43’ bottom right
Stamped in black ‘CLXXVII 43’ bottom right
Inscribed by the artist in pencil ‘olive’ bottom right
Inscribed by John Ruskin in red ink ‘43’ bottom right
Stamped in black ‘CLXXVII 43’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.522, as ‘Do. [Spoleto.]’.
1968
Giovanni Carandente, ‘Un Viaggio di Turner in Umbria’, Spoletium: Rivista di arte, storia e cultura, no.13, April 1968, p.20 note 18, reproduced p.16 fig.5, as ‘Veduta di Spoleto’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp. 101, 469 notes 139 and 143, 352 note 19, 409, as ‘Spoleto, from the road to Rome, with S. Pietro on the right’.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.34.
2008
James Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, pp.44, 90 note 29.
2009
James Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, pp.42, 150–1 note 29.
The Umbrian town of Spoleto lies thirteen miles from Foligno, approximately half-way on the nineteenth-century route between Ancona and Rome. As was often the case during this tour, the progress of the carriage did not give the artist much opportunity to stop and explore the centre of the town. He simply followed a predetermined course around the perimeter of the town and consequently his sketches only depict views he could see from the road. His journey continued south on the Via Flaminia towards Terni and Rome but shortly after leaving Spoleto he was able to look back and draw this panoramic view of the town with the Rocca Albornoziana and the Ponte delle Torri. With typical economy he has neglected to fully delineate the tall arches of the medieval aqueduct but has only outlined the curved tops. On the slopes of the hill on the far right-hand side is the Romanesque façade of the Church of San Pietro. The drawing continues on the opposite sheet of the double-page spread, see folio 42 verso (D14735). A similar composition can also be found on folios 39 verso–40 (D14729–30).
Spoleto’s dramatic location within the foothills of the Apennines, combined with its impressive architectural features such as the castle and the aqueduct, made the town an obvious picturesque subject for artists, and the road to Rome from the south was a popular vantage point from which to survey the topography. Turner had probably seen James Hakewill’s drawing, The City of Spoleto 1817 (British School at Rome Library) which adopts a similar composition.1 He had also made a small pen-and-ink copy in the Italian Guide Book sketchbook, of a view of the castle from John ‘Warwick’ Smith’s Select Views in Italy (see Tate D13964; Turner Bequest CLXXII 18, second from top right).
Nicola Moorby
November 2008
How to cite
Nicola Moorby, ‘Spoleto, from the Road to Rome, with San Pietro on the Right 1819 by Joseph Mallord William Turner’, catalogue entry, November 2008, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www