Joseph Mallord William Turner Sketch of a Sculptured Panel from the Arch of Titus, Rome 1819
Joseph Mallord William Turner 1775–1851
Folio 18 Verso:
Sketch of a Sculptured Panel from the Arch of Titus, Rome 1819
D16191
Turner Bequest CLXXXVIII 18 a
Turner Bequest CLXXXVIII 18 a
Pencil on white wove paper, 114 x 189 mm
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.558, as ‘Sculptured panel (the Emperor in triumphal chariot, Victory at his side), from the Arch of Titus. See Plate 34, op.cit.’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.129, 132–3, 137 note 41, 138 note 46, 255, 476 note 10.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.51 note 8, 56–7 note 27, 122 note 64.
Like many other ancient monuments in the Roman Forum, Turner made a detailed study of the Arch of Titus, a triumphal arch which stands on the Via Sacra, to the south-east of the Roman Forum. Turner has here recorded the sculptured relief from the northern side of the entrance to the Arch of Titus, a scene depicting the triumphal procession of the Emperor Titus after the sack of Jerusalem in AD 70. Clearly visible in the sketch are the massed ranks of the soldiers and the chariot and horses of the Emperor with the winged figure of Victory at his side.
Turner’s sketches of the Arch of Titus informed his later oil painting, Forum Romanum exhibited 1826 (Tate, N00504).1 However, as Cecilia Powell has discussed, the disorganised nature of his sketchbooks presented him with problems during the composition of the piece.2 It was not his habit to record where the individual scenes belonged in situ and consequently he transposed the wrong bas-relief onto the southern side of the arch. The painting should have shown the panel representing the spoils of the city, see folio 19 (D16192), but instead Turner depicted the scene recorded within this sketch by mistake. For other studies of the Arch of Titus see the Small Roman C. Studies sketchbook (Tate D16395; Turner Bequest CXC 1) and the Roman Colour Studies sketchbook (Tate D16370 and D16372; Turner Bequest CLXXXIX 43 and 44).
Nicola Moorby
September 2008
How to cite
Nicola Moorby, ‘Sketch of a Sculptured Panel from the Arch of Titus, Rome 1819 by Joseph Mallord William Turner’, catalogue entry, September 2008, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www