Joseph Mallord William Turner Screen to the Portail des Libraires, Rouen Cathedral, and Rue de la Grosse-Horloge 1821
Joseph Mallord William Turner 1775–1851
Folio 10 Recto:
Screen to the Portail des Libraires, Rouen Cathedral, and Rue de la Grosse-Horloge 1821
D24518
Turner Bequest CCLVIII 10
Turner Bequest CCLVIII 10
Pencil on white wove paper, 123 x 118 mm
Inscribed in pencil by Turner ‘Drinking Wom[en]’ centre right
Inscribed in red ink by John Ruskin ‘10’ top right running vertically
Stamped in black ‘CCLVIII – 10’ top right running vertically
Inscribed in pencil by Turner ‘Drinking Wom[en]’ centre right
Inscribed in red ink by John Ruskin ‘10’ top right running vertically
Stamped in black ‘CCLVIII – 10’ top right running vertically
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.786, CCLVIII 10, as ‘Screen to the Portail des Libraires, Rouen Cathedral, and Rue de la Grosse-Horlge.’.
1975
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, Department of Prints and Drawings, British Museum, London 1975, p.102 under no.161.
1981
Maurice Guillaud, Nicholas Alfrey, Andrew Wilton and others, Turner in France: Watercolours, Paintings, Drawings, Engravings, Sketchbooks, exhibition catalogue, Centre Culturel du Marais, Paris 1981, p.160 fig.273 as ‘Rouen: le Portail des libraires, cathedrale de Rouen et rue de la Grosse Horloge’.
1988
Ian Warrell and Diane Perkins, Turner & Architecture, exhibition catalogue, Tate Gallery, London 1988, p.17 under no.36.
1999
Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, pp.176, 261 note 115, 272 under cats.103 and 104.
The two sketches on this page were both utilised by Turner in 1832 for gouache and watercolour studies on blue paper connected to the Wanderings by the Seine volume of the Turner’s Annual Tour publication.1 The top sketch depicts the entrance to the Booksellers’ Court with the North Transept of Rouen Cathedral beyond it, called the Portail des Libraires. To the right of the double archway is the Fontaine Saint Romain (the fountain in the Rue Saint Romain) with ‘Drinking Wom[en]’. This was the basis for Tate D24714 (Turner Bequest CCLIX 149).
The sketch at the bottom of the page is a view east along the Rue de la Grosse Horloge towards the gateway with its clock and the towers of the cathedral. There is another sketch of the Tour de Grosse Horloge on folio 11 (Tate D24520; Turner Bequest CCLVIII 11). David Cox also painted a watercolour of this gateway in 1829 (Tate T00977). The sketch is the basis of Tate D24822 (Turner Bequest CCLIX 257).
Also on the page between the two views is a study of a sculpture of two angels from the inside of the gateway.
Thomas Ardill
February 2013
How to cite
Thomas Ardill, ‘Screen to the Portail des Libraires, Rouen Cathedral, and Rue de la Grosse-Horloge 1821 by Joseph Mallord William Turner’, catalogue entry, February 2013, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, August 2014, https://www