Joseph Mallord William Turner Plymouth Dock and the Hamoaze from Mount Edgcumbe 1811
Joseph Mallord William Turner 1775–1851
Folio 12 Recto:
Plymouth Dock and the Hamoaze from Mount Edgcumbe 1811
D08877
Turner Bequest CXXV 11
Turner Bequest CXXV 11
Pencil on white wove paper, 166 x 208 mm
Blind-stamped with Turner Bequest monogram bottom right
Stamped in black ‘CXXV – 11’ bottom right
Blind-stamped with Turner Bequest monogram bottom right
Stamped in black ‘CXXV – 11’ bottom right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.355, CXXV 11, as ‘Plymouth Dock, as seen from Mount Edgecombe’.
1974
Gerald Wilkinson, The Sketches of Turner, R.A. 1802–20: Genius of the Romantic, London 1974, reproduced p.127.
1979
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.352 under no.456.
1981
Eric Shanes, Turner’s Rivers, Harbours and Coasts, London 1981, p.152.
The view is to the north from the middle gateway of three on the western perimeter of the Mount Edgcumbe estate. The pillar with its triangular pediment is one of a pair which still stand, and the wall, now overgrown with ivy, follows the curve of the road; the trees opposite are too thick to allow a clear view from this point but the distant prospect can be seen from a little further down. Plymouth Dock (now Devonport) is seen across the Hamoaze (the Tamar Estuary) running around it from the left and across the middle distance towards Plymouth Sound, out of sight to the right. On the opposite bank is Torpoint, with Saltash beyond it. The hills of Dartmoor rise beyond, with Bren Tor on the skyline to the right of the two central trees, about nineteen miles inland.1
The trees are continued a little way to the left onto folio 11 verso (D08876; CXXV 10a). Finberg notes that the double-page sketch is the basis of the watercolour Plymouth Dock from Mount Edgecumbe of about 1814 (Plymouth City Museum and Art Gallery),2 engraved in 1816 for the Picturesque Views on the Southern Coast of England3 (see the concordance of the series in the 1811 tour introduction). However, Turner only followed the drawing on the present page, effectively ignoring the additional branches opposite.
Technical notes:
Some brown spotting is apparent.
Matthew Imms
February 2011
How to cite
Matthew Imms, ‘Plymouth Dock and the Hamoaze from Mount Edgcumbe 1811 by Joseph Mallord William Turner’, catalogue entry, February 2011, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www