Joseph Mallord William Turner Ivy Bridge, on the River Erme at Ivybridge 1814
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Joseph Mallord William Turner,
Ivy Bridge, on the River Erme at Ivybridge
1814
Joseph Mallord William Turner 1775–1851
Folio 45 Recto:
Ivy Bridge, on the River Erme at Ivybridge 1814
D09722
Turner Bequest CXXXIII 45
Turner Bequest CXXXIII 45
Pencil on white wove paper, 110 x 178 mm
Part watermark ‘ows | 12’
Inscribed by John Ruskin in blue ink ‘45’ bottom right, descending vertically, and ‘294’ bottom left, descending vertically
Stamped in black ‘CXXXIII 45’ bottom left, descending vertically
Part watermark ‘ows | 12’
Inscribed by John Ruskin in blue ink ‘45’ bottom right, descending vertically, and ‘294’ bottom left, descending vertically
Stamped in black ‘CXXXIII 45’ bottom left, descending vertically
Accepted by the nation as part of the Turner Bequest 1856
Exhibition history
1904
National Gallery, London, various dates to at least 1904 (407c, untitled).
References
1904
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.277, 628 no.407, as one of ‘Five Studies’.
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.378, CXXXIII 45, as ‘Ivy Bridge’.
1979
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.350 under no.442.
1981
Eric Shanes, Turner’s Rivers, Harbours and Coasts, London 1981, p.152.
1990
Diane Perkins, The Third Decade: Turner Watercolours 1810–1820, exhibition catalogue, Tate Gallery, London 1990, p.26 under no.11, as ‘CXXXII 45’.
1990
Eric Shanes, Turner’s England 1810–38, London 1990, pp.37 under no.15, 283 note 14.
1995
Sam Smiles, in Smiles and Michael Pidgley, The Perfection of England: Artist Visitors to Devon c.1750–1870, exhibition catalogue, Royal Albert Memorial Museum, Exeter 1995, pp.104, 120 note 26.
1995
Ian Warrell, Through Switzerland with Turner: Ruskin’s First Selection from the Turner Bequest, exhibition catalogue, Tate Gallery, London 1995, pp.28, 30 note 112, as ‘NG 407[c]’, fig.17 (top centre).
2000
Eric Shanes, Evelyn Joll, Ian Warrell and others, Turner: The Great Watercolours, exhibition catalogue, Royal Academy of Arts, London 2000, p.102 under no.28.
The narrow medieval Ivy Bridge still carries Blachford Road across the River Erme in the centre of Ivybridge, a few miles east of Plymouth. It can be seen upstream to the north from the footpath beside Harford Road, just above the eastern bank (on the right here). The sketch was recognised by Ruskin as the basis for the watercolour Ivy Bridge (Tate D18157; Turner Bequest CCVIII X),1 engraved in 1816 for The Rivers of Devon, albeit not published until 1821.2 Elaborations in the finished version include ducks, a washing tub a coach preparing to leave in the distance, with a figure waving to it from the bridge, which may have an indistinct forerunner at that point in the present sketch. Eric Shanes has noted the 1811 Devonshire Coast, No.1 sketchbook as another source3 (see Tate D08654, D08655; Turner Bequest CXXIII 153, 153a).
See Catalogue of the Sketches and Drawings by J.M.W. Turner, R.A. Exhibited in Marlborough House in the Year 1857–8 in Cook and Wedderburn 1904, p.277; see also Finberg 1909, I, p.378; Wilton 1979, p.350; Michael Spender and Malcolm Fry, Turner at the Bankside Gallery: Catalogue of an Exhibition of Drawings & Water-colours of British River Scenes from the British Museum, exhibition catalogue, Bankside Gallery, London 1980, p.102 under no.46; Shanes 1981, p.152, and 1990, pp.37 under no.15, 283 note 14; Perkins 1990, p.26; and Smiles 1995, pp.104, 120 note 26.
Technical notes:
Verso:
Blank
Matthew Imms
July 2014
How to cite
Matthew Imms, ‘Ivy Bridge, on the River Erme at Ivybridge 1814 by Joseph Mallord William Turner’, catalogue entry, July 2014, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, September 2014, https://www