Joseph Mallord William Turner Harfleur ?1829
Joseph Mallord William Turner 1775–1851
Folio 5 Verso:
Harfleur ?1829
D23708
Turner Bequest CCLIII 5a
Turner Bequest CCLIII 5a
Pencil on pale cream laid paper, 107 x 156 mm
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.768, CCLIII 5a, as ‘Harfleur. Cf. Engraving in “Wanderings Seine,” 1834, p.46’.
1959
Kenneth Clark, Michel Florisoone, Geoffrey Grigson and others, The Romantic Movement: Fifth Exhibition to Celebrate the Tenth Anniversary of the Council of Europe, exhibition catalogue, Tate Gallery and Arts Council Gallery, London 1959, p.266 under no.448.
1974
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, p.116 under no.397.
1975
Graham Reynolds, Turner 1775–1851: zhivopis', risunok, akvarel', exhibition catalogue, Hermitage Museum, Leningrad 1975, p.36 under no.46.
1976
Werner Hofmann, Andrew Wilton, Siegmar Hosten and others, William Turner und die Landschaft seiner Zeit, exhibition catalogue, Hamburger Kunsthalle 1976, p.137 under no. 81.
1979
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.412 under no.955.
1999
Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, p.273 under no.119.
The page contains a sketch, drawn horizontally, of the harbour in the town of Harfleur. Finberg identified this sketch as being of ‘Harfleur’, comparing it to the subsequent engraving noted below. 1 The Harfleur location has been confirmed;2 for further information on the town, see under folio 1 recto (D23699). The church on the left is recognisable from the shape of its tower as Saint-Martin (for further information on the church, see under folio 2 verso; D23702).
A boat is depicted in the mid-distance left of centre and a further boat is sketched roughly on the left. The object depicted at bottom centre-left is the bare skeleton framework of a boat; Turner records the shape of the boat’s keel and end through the rounded lines on the right, and the outline formed by the boat’s framework on the left, whilst the oblique slanting strokes note the general impression of the boat’s ribs. The object is depicted more clearly in Turner’s later watercolour, Harfleur, c.1832 (Tate D24667; Turner Bequest CCLIX 102)3 which he based on this sketch,4 with additional reference to the recto (D23707).5 It was engraved for Turner’s Annual Tour – Wanderings by the Seine, 1834 (Tate impressions: T05596, T06225).
The harbour sweeps down to the right and there is an area in the foreground far left which seems either a rocky outcrop or broken stone building but which in the watercolour is shown to be a wooden boathouse.
Caroline South
May 2017
?Ian Warrell, ‘Turner on the Seine: Topographical Index’, c.1999, Prints and Drawings Room, Tate Britain (printout in copy of Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999), p.3; and others.
How to cite
Caroline South, ‘Harfleur ?1829 by Joseph Mallord William Turner’, catalogue entry, May 2017, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, November 2019, https://www