Joseph Mallord William Turner From Heysham, Looking across Morecambe Bay to the Lake District Mountains 1816
Joseph Mallord William Turner 1775–1851
Folio 40 Verso:
From Heysham, Looking across Morecambe Bay to the Lake District Mountains 1816
D11509
Turner Bequest CXLVII 40a
Turner Bequest CXLVII 40a
Pencil on white wove paper, 125 x 206 mm
Inscribed by Turner in pencil ‘Black Combe’
Inscribed by Turner in pencil ‘Black Combe’
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.425, CXLVII 40a, as ‘Heysham, with names written over distant peaks’, with transcriptions.
1910
Alexander J. Finberg, Turner’s Sketches and Drawings, London 1910, reproduced plate LIX, pp.104, 105, 108.
1979
Andrew Wilton, The Life and Work of J.M.W. Turner, London 1979, p.366, no.579.
1980
David Hill, Stanley Warburton, Mary Tussey and others, Turner in Yorkshire, exhibition catalogue, York City Art Gallery 1980, p.34, no.132.
1982
Stanley Warburton, Turner and Dr. Whitaker, exhibition catalogue, Towneley Hall Art Gallery & Museums, Burnley 1982, no.67.
1984
David Hill, In Turner’s Footsteps: Through the Hills and Dales of Northern England, London 1984, pp.31, 86–7 reproduced, 107, 127.
1990
Eric Shanes, Turner’s England 1810–38, London 1990, p.96, no.71.
2006
Emma House, Michael Rudd and Paul Clark, Joseph Mallord William Turner: Tours of Durham and Richmondshire, exhibition catalogue, Bowes Museum, Barnard Castle 2006, p.38.
This is the left half of a double-page spread, continued to the right on folio 41 recto opposite (D11510), recording the panorama of Morecambe Bay from above Heysham village, with Heysham Head and St Patrick’s Chapel to the left, and the Lake District mountains in the distance running from ‘Black Combe’ on the left, as noted by Turner. The double-spread formed the basis of a studio watercolour Heysham and Cumberland Mountains (British Museum, London)1 dated 1818 and engraved for Thomas Dunham Whitaker’s History of Richmondshire, part of the projected seven-volume General History of the County of York (see Introduction to the sketchbook), and published in 1822.
This portion of the panorama is continued to the left on the recto of this leaf (D11508) to include Heysham Lodge.
Turner made a preliminary sketch of almost exactly the same material in the Yorkshire 2 sketchbook (Tate D11160–D11161; Turner Bequest CXLV 78a–79), which accompanied him on the same tour. The present writer has dated Turner’s sketches of Heysham to Thursday 8 August 1816.
David Hill
February 2009
Wilton 1979, p.366 no.579. Hill, Warburton and Tussey 1980 point out that the identification of the distant mountains as in Cumberland, as in the title of the watercolour, is an error. The mountains were in the old county of Lancashire. In 1974 the whole of the Lake District was taken into the new county of Cumbria.
How to cite
David Hill, ‘From Heysham, Looking across Morecambe Bay to the Lake District Mountains 1816 by Joseph Mallord William Turner’, catalogue entry, February 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2013, https://www